• Produktbild: The Routledge Companion to Remix Studies
  • Produktbild: The Routledge Companion to Remix Studies

The Routledge Companion to Remix Studies

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

27.03.2025

Abbildungen

schwarz-weiss Illustrationen, Raster, schwarz-weiss, Zeichnungen, schwarz-weiss, Tabellen, schwarz-weiss

Herausgeber

Navas Eduardo + weitere

Verlag

Taylor and Francis

Seitenzahl

662

Maße (L/B/H)

25/17,5/4,1 cm

Gewicht

1420 g

Auflage

2. Auflage

Sprache

Englisch

ISBN

978-1-03-250910-5

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

27.03.2025

Abbildungen

schwarz-weiss Illustrationen, Raster, schwarz-weiss, Zeichnungen, schwarz-weiss, Tabellen, schwarz-weiss

Herausgeber

Verlag

Taylor and Francis

Seitenzahl

662

Maße (L/B/H)

25/17,5/4,1 cm

Gewicht

1420 g

Auflage

2. Auflage

Sprache

Englisch

ISBN

978-1-03-250910-5

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Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Routledge Companion to Remix Studies
  • Produktbild: The Routledge Companion to Remix Studies
  • Introduction EDUARDO NAVAS, OWEN GALLAGHER, AND XTINE BURROUGH PART I: History 1. Remix and the Dialogic Engine of Culture: A Model for Generative Combinatoriality MARTIN IRVINE 2. A Rhetoric of Remix, Revised SCOTT HADEN CHURCH 3. Toward a Remix Culture: An Existential Perspective VITO CAMPANELLI 4. An Oral History of Sampling: From Turntables to Mashups KEMBREW MCLEOD 5. Can I Borrow Your Proper Name? Remixing Signatures and the Contemporary Author CICERO INACIO DA SILVA 6. The Extended Remix: Rhetoric and History MARGIE BORSCHKE 7. The Roots of Audiovisual Remix in the Works of Francis Doublier, Esfir Shub, and Joseph Cornell ELI HORWATT 8. Algorithmic Archival Remix: Metacreative, Metahistorical, and Metatemporal Considerations Around Jan Bot GRAZIA INGRAVALLE 9. Revisiting Recuts: Fake Film Trailers and Their History KATHLEEN WILLIAMS

    PART II: Aesthetics 10. Remix Strategies in Social Media LEV MANOVICH 11. Remixing Movies and Trailers Before and After the Digital Age NICOLA MARIA DUSI 12. Remixing the Plague of Images: Video Art from Latin America in a Transnational Context ERANDY VERGARA 13. Race and Remix: The Aesthetics of Race, Remix, and Monstrous Technologies TASHIMA THOMAS 14. Remix as Adaptation: Eco-art with African Perspectives Before and After Oil DALE HUDSON 15. The End of an Aura: Nostalgia, Memory, and the Haunting of Hip Hop ROY CHRISTOPHER 16. Generative AI and Remix: Difference and Repetition DAVID J. GUNKEL 17. Digital Poetics and Remix Culture: From the Artisanal Image to the Immaterial Image MONICA TAVARES 18. Culture and Remix: A Theory on Cultural Sublation EDUARDO NAVAS 19. “In Praise of Copying” and the Future of the Copy MARCUS BOON

    PART III: Ethics 20. The Emerging Ethics of Networked Culture ARAM SINNREICH 21. The Panopticon of Ethical Video Remix Practice METTE BIRK 22. Cutting Scholarship Together/Apart: Rethinking the Political-Economy of Scholarly Book Publishing JANNEKE ADEMA 23. How Copyright and Fair Use Work in Repurposing Popular Culture PATRICIA AUFDERHEIDE AND BRANDON BUTLER 24. I Thought I Made A Vid, But Then You Told Me That I Didn’t: Aesthetics and Boundary Work in the Fan-Vidding Community KATHARINA FREUND 25. Anything for Love: Remix as Affective Practice within the Vidding Community LUCIA TRALLI 26. Peeling The Layers of the Onion: Authorship in Mashup and Remix Cultures JOHN LOGIE 27. remixthecontext (a theoretical fiction) MARK AMERIKA 28. Remix in the Age of AI ERIN REILLY AND SAM HEWITT 29. Stealing From or Facilitating Hard-Working Musicians? Remixers’ Code of Honor RAGNHILD BRØVIG

    PART IV: Politics 30. A Capital Remix RACHEL O’DWYER 31. Remix Practices and Activism: A Semiotic Analysis of Creative Dissent PAOLO PEVERINI 32. Political Remix Video as a Vernacular Discourse OLIVIA CONTI 33. Locative Media as Remix CONOR MCGARRIGLE 34. The Politics of John Lennon’s “Imagine”: Contextualizing the Roles of Mashups and New Media in Political Protest J. MERYL KRIEGER 35. The New Polymath (Remixing Knowledge) RACHEL FALCONER 36. Not Meant for the Listener: Concealed (Political) Sampling in Experimental Electronica HANNES LIECHTI 37. Détournement as a Premise of the Remix from Political, Aesthetic, and Technical Perspectives NADINE WANONO

    PART V: Practice 38. Crises of Meaning in Communities of Creative Appropriation: A Case Study of the RE/Mixed Media Festival TOM TENNEY 39. Of “RE/APPROPRIATIONS” GUSTAVO ROMANO 40. Aesthetics of Remix: Networked Interactive Objects and Interface Design JONAH BRUCKER-COHEN 41. GAN to the Mississippi: Remixing Relations Between Humans and River with Generative Adversarial Networks HEIDI BIGGS 42. Remix Analytic Methods: A Collaborative Approach to Time-Based Media Media Analysis EDUARDO NAVAS, LUKE MEEKEN, ROBBIE FRALEIGH, ALEXANDER KORTE, AND EDUARDO DE MOURA 43. Reflections on the Amen Break: A Continued History, an Unsettled Ethics NATE HARRISON 44. Going Crazy with the DMCA: Lenz v. Universal in the Classroom XTINE BURROUGH AND DR. EMILY ERICKSON 45. Occupy / Band Aid Mashup: “Do They Know It’s Christmas?” OWEN GALLAGHER 46. Remixing the Remix ELISA KREISINGER 47. A Fair(y) Use Tale ERIC FADEN 48. An Aesthetics of Deception in Political Remix Video DIRAN LYONS 49. Radical Remix Redux: Manifestoon JESSE DREW 50. In Two Minds KEVIN ATHERTON