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Produktbild: Printed Images in Early Modern Britain

Printed Images in Early Modern Britain Essays in Interpretation

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

14.10.2024

Herausgeber

Michael Hunter

Verlag

Taylor & Francis

Seitenzahl

396

Maße (L/B/H)

17,3/24,6/2,4 cm

Gewicht

684 g

Sprache

Englisch

ISBN

978-1-03-292062-7

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

14.10.2024

Herausgeber

Michael Hunter

Verlag

Taylor & Francis

Seitenzahl

396

Maße (L/B/H)

17,3/24,6/2,4 cm

Gewicht

684 g

Sprache

Englisch

ISBN

978-1-03-292062-7

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Printed Images in Early Modern Britain

  • Contents: Introduction, Michael Hunter; Part 1 Printed Images and the Reformation: Symbols of conversion: proprieties of the page in Reformation England, Margaret Aston; Censorship and self-censorship in late 16th-century English book illustration, Richard L. Williams; Guides to Godliness from print to plaster, Tara Hamling; 'Like fragments of a shipwreck': printed images and religious antiquarianism in early modern England, Alexandra Walsham. Part 2 Printed Images in Science and Cartography: Page techne: interpreting diagrams in early modern English 'how-to' books, Lori Anne Ferrell; Gesner, Topsell and the purposes of pictures in early modern natural histories, Katherine Acheson; Hollar's prospects and maps of London, Simon Turner; The theory of the impression according to Robert Hooke, Matthew Hunter. Part 3 Printed Images and Politics: The Common Weales Canker Wormes or the Locusts of Both Church and State: emblematic identities in a late Jacobean print, Malcolm Jones; Buckingham engraved: politics, print images and the royal favourite in the 1620s, Alastair Bellany; The Devil's Bloodhound: Roger L'Estrange caricatured, Helen Pierce; Decoding the Leviathan: doing the history of ideas through images 1651-1714, Justin Champion. Part 4 Printed Images and Aspects of Late 17th-Century English Culture: Noble or commercial? The early history of mezzotint in Britain, Ben Thomas; Faithorne, Loggan, Vandrebank and White: the engraved portrait in late 17th-century Britain, David Alexander; 'Paper tapestry' and 'wooden pictures': printed decoration in the domestic interior before 1700, Gill Saunders; Top knots and lower sorts: print and promiscuous consumption in the 1690s, Angela McShane and Clare Backhouse; Index.