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Produktbild: Shakespearean Biofiction on the Contemporary Stage and Screen

Shakespearean Biofiction on the Contemporary Stage and Screen

Aus der Reihe Shakespeare and Adaptation

52,99 €

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

26.06.2025

Herausgeber

Edel Semple + weitere

Verlag

Bloomsbury Academic

Seitenzahl

206

Maße (L/B/H)

21,6/14/1,1 cm

Gewicht

266 g

Sprache

Englisch

ISBN

978-1-350-35924-6

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

26.06.2025

Herausgeber

Verlag

Bloomsbury Academic

Seitenzahl

206

Maße (L/B/H)

21,6/14/1,1 cm

Gewicht

266 g

Sprache

Englisch

ISBN

978-1-350-35924-6

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: Shakespearean Biofiction on the Contemporary Stage and Screen

  • Notes on Contributors
    Acknowledgements
    Note on the Text

    Introduction: Shakespeare and his Social Circle on the Stage and Screen, 1998-2023, Edel Semple (University College Cork, Ireland)

    Part One: Author

    1. Shakespeare Regrets: Redefining the Heritage Biopic in All Is True, Clara Calvo (University of Murcia, Spain)
    2. 'I'll Drown my Book': Imagining Shakespeare's Long Lost First Play, Austin Tichenor (Reduced Shakespeare Company, USA)
    3. 'Scarce.a Blot in his Papers': Shakespearean Inspiration on Screen, Judith Buchanan (University of Oxford, UK)
    4. Interview on Co-writing and Performing in Bill (dir. Richard Bracewell, 2015), Laurence Rickard (BAFTA-winning comedy writer and actor) in conversation with Ronan Hatfull and Edel Semple
    5. 'The Thing is, You're a Douche': Fourth Wave Feminist Representations of Shakespeare in Emilia and & Juliet, Gemma Allred (University of Neuchâtel, Switzerland)

    Part Two: Family

    6. Shakespeare's Dead, Long Live his Widow! One-woman Plays about Anne Hathaway, Edel Semple (University College Cork, Ireland)
    7. Interview on Playing Sue Shakespeare in Upstart Crow (BBC, 2016-2021), Helen Monks (writer, actor, and comedian) in conversation with Ronan Hatfull and Edel Semple
    8. Father Shakespeare: Grieving for Hamnet on Stage and Screen, Katherine Scheil (University of Minnesota, USA)
    9. Shakespeare and Son in All Is True and O'Farrell's Hamnet, Paul Franssen (Utrecht University, the Netherlands)
    10. Interview on Writing the Play Shakespeare's Sister (2015), Emma Whipday (Newcastle University, UK; playwright) in conversation with Ronan Hatfull and Edel Semple

    Part Three: Theatre

    11. Imagining the Formative Presence of Early Modern Women in Shakespeare's Circle, Naomi J. Miller (Smith College, USA)
    12. 'That's Power': Representations of Performance in Shakespearean Biofiction, Stephen Purcell (University of Warwick, UK)
    13. Reverse Engineering Shakespeare: TNT's Will as Repertory Studies Criticism, Aaron Proudfoot (University of Connecticut, USA)
    14. Enter Burbage: The Origin Story of an Acting Superhero in Craig Pearce's Will, Michael D. Friedman (University of Scranton, USA)
    15. #Sharlowe: Connecting Shakespeare and Marlowe in Only Lovers Left Alive, Upstart Crow, and Will, Ronan Hatfull (University of Warwick, UK)

    Part Four: Afterlives

    16. More 'Shakespeare' than Shakespeare: The Notion of 'Uber-Shakespeare' in The Lego Movie
    Benjamin Broadribb (The Shakespeare Institute, University of Birmingham, UK)

    Afterword: Global Shakespearean Biofictions
    Ramona Wray (Queen's University Belfast, UK)

    Index