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Alice in Wonderland in Film and Popular Culture

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

21.10.2023

Abbildungen

XIX, 327 p. 6 illus., 4 illus. in color.

Herausgeber

Antonio Sanna

Verlag

Springer

Seitenzahl

327

Maße (L/B/H)

21/14,8/1,9 cm

Gewicht

451 g

Auflage

1st edition 2022

Sprache

Englisch

ISBN

978-3-031-02357-6

Beschreibung

Rezension

“
Alice in Wonderland in Film and Popular Culture
 looks more deeply into the cultural proliferation of Alice. Scholarly studies on this topic are of course plentiful, but this well researched and wide-ranging collection is a useful and engaging addition to the bookshelf. ... Scholars interested in the ways Alice and her adventures have been portrayed in twentieth and twenty-first-century popular culture would find 
Alice in Wonderland in Film and Popular Culture
 a valuable addition to their libraries.” (Jennifer Geer, The Incredible Nineteenth Century - Science Fiction, Fantasy, and Fairy Tale, Vol. 4 (1), 2026)

Portrait


Antonio Sanna (PhD, University of Westminster) teaches English in Sassari, Italy. He is the co-editor of the series
Critical Companions to Contemporary Directors
and has edited volumes on historical and fictional pirates, the last season of
Twin Peaks
and Welsh writer Arthur Machen.

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

21.10.2023

Abbildungen

XIX, 327 p. 6 illus., 4 illus. in color.

Herausgeber

Antonio Sanna

Verlag

Springer

Seitenzahl

327

Maße (L/B/H)

21/14,8/1,9 cm

Gewicht

451 g

Auflage

1st edition 2022

Sprache

Englisch

ISBN

978-3-031-02357-6

Herstelleradresse

Springer-Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE

Email: ProductSafety@springernature.com

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  • Produktbild: Alice in Wonderland in Film and Popular Culture

  • 1 ‘Introduction: Alice and the Critics,’ Antonio Sanna.- Part I: Alice on the Page.- 2 'A History of the Literary and Graphic Adaptations and Appropriations of
    Alice
    ,’ Antonio Sanna.- 3 “How Does It Taste: Eating and Drinking with Alice at the International Table,”

    Olga Bukhina.- 4 ‘Charles Lutwidge Dodgson in Wonderland: Lewis Carroll’s Mythobiography and Contemporary Fiction,’ Maciej Skowera.- 5 “Reflecting on Wonderland: Alice’s Adventures as Metatext in the Graphic Novel,” Brigid Cherry.- 6 ‘Mad World: Disillusionment and Perceived ‘Madness’ in
    Batwoman Elegy
    ,’ Eileen M. Harney.- 7 ‘We’re All Mad Here: Alice Goes to Gotham,’ Rick Hudson.- Part II: Film Adaptations.- 8 ‘Standing in Contrast: An Examination of Conflict and Contrast in Various Adaptations of
    Alice’s Adventures in Wonderland
    ,’ Joy E. Morrow and Christopher Flavin.- 9 ‘Alice Gets Mathematical: Carroll, Disney, and

    Donald in Mathmagic

    Land

    ,’ Martin F. Norden.- 10 ‘Alice, Interrupted: Reflecting on the Changing Chronology of the Girl in Disney’s
    Looking-Glass
    ,’ Alexandra Heatwole.- 11 ‘Through a Darker Looking Glass: Alice’s Adventures in Horrorland,’ Lindsey Scott.- 12 ‘Alice’s Evolution: Chicago 70 and the Revolutionary Awakening of Lewis Carroll’s Victorian Heroine,’ Andrew Grossman.- 13 ‘Alice’s Adventures in Wondercity. Who am I? Revelation of the Self and Class Consciousness in Woody Allen’s
    Alice
    ,’ Carla Fusco.- Part III: Alice’s Adventures in Other Media.- 14 ‘(In)Appropriate Alice: The Neo-Victorian Sexualization of Carroll’s Wonderland,’ Anne-Marie Beller and Claire O’Callaghan.- 15 ‘Alice in the City,’ Joanna Madlock.- 16 ‘Transformations: Aimer’s ‘I Beg You’ and Alice in Japanese Music Video,’ Masafumi Monden.- 17 ‘Navigating the Coded Rabbit Hole: A Sociocultural Reading of the American McGee’s Alice Games,’ Dominique Angela Juntado and Antonio Sanna.- 18 ‘The Immortal Hatter, Eternally Present with Alice,’ Amanda Rutherford and Sarah Baker.- 19 'As Above So Below? Madness and Nonsense in Alice’s Adventures in Wonderland', Emily Scherzinger and Jeffery Donaldson.