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Produktbild: Global Film Color

Global Film Color The Monopack Revolution at Midcentury

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

17.05.2024

Abbildungen

30 color and 10 B-W images, 1 table

Herausgeber

Sarah Street + weitere

Verlag

Rutgers University Press

Seitenzahl

258

Maße (L/B/H)

16,2/24,5/2,1 cm

Gewicht

512 g

Sprache

Englisch

ISBN

978-1-978836-81-5

Beschreibung

Rezension

"Global Film Color brings together a truly international group of contributors working with sources in multiple languages to offer readers a vivid spectrum of fascinating insights about uses of color in world cinema." - Matthew Solomon (author of Méliès Boots) "An important work that opens up new territory in global color, with particular strengths in Chinese, Japanese, Brazilian, and Indian film and media. New archival materials, case studies, and distribution and exhibition histories offer an exciting new direction to color studies."
- Kirsten Moana Thompson (chair of the Film and Media Department at Seattle University.)

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

17.05.2024

Abbildungen

30 color and 10 B-W images, 1 table

Herausgeber

Verlag

Rutgers University Press

Seitenzahl

258

Maße (L/B/H)

16,2/24,5/2,1 cm

Gewicht

512 g

Sprache

Englisch

ISBN

978-1-978836-81-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Global Film Color
  • Introduction SARAH STREET AND JOSHUA YUMIBE

    Mapping the Laboratory: Technicolor across Asia and Europe: KIRSTY SINCLAIR DOOTSON
    "Keeping Your Enemies Closer": Strategies of Knowledge Transfer at the East German Filmfabrik Wolfen: JOSEPHINE DIECKE
    "We're Not in Sweden Anymore": Technicolor's Brief Venture in Swedish Cinema: KAMALIKA SANYAL
    "Risk versus Conformity": Soviet Color Film, 1956-1982: PHILIP CAVENDISH
    Eastman Color in 1960s India: RANJANI MA ZUMDAR
    Coloring the Coastline: Italian Beachside Comedies and the Color Film Transition: ELENA GIPPONI
    Technological and Athletic Splendor: The Formation of Color in the Socialist Sports Film in China: LINDA C. ZHANG
    The Chinese Film Collection at the University of South Carolina: HEATHER HECKMAN, LAURA MAJOR, AND LYDIA PAPPAS
    The Lights That Raised Up a Storm: Neon and the Nikkatsu Action Color Film, 1957-1963: WILLIAM CARROLL
    Color as a Foreign Accent: Brazilian Films and Film Laboratories in the 1950s: RAFAEL DE LUNA FREIRE
    British Film Criticism and Global Color: SARAH STREET
    All about Landscape: The Shift to Color in Australian Film at Midcentury: KATHRYN MILLARD AND STEFAN SOLOMON
    Moving Monochromatics: Paul Sharits and Color Field Aesthetics in a Global Context: GREGORY ZINMAN
    On Vivid Colors and Afrotropes in African and Diasporic Cinemas: JOSHUA YUMIBE

    Acknowledgments
    Notes on Contributors