Produktbild: The Arden Research Handbook of Shakespeare and Contemporary Performance

The Arden Research Handbook of Shakespeare and Contemporary Performance

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

09.02.2023

Herausgeber

Peter Kirwan + weitere

Verlag

Arden shakespeare

Seitenzahl

416

Maße (L/B/H)

23,1/15,5/2,5 cm

Gewicht

703 g

Sprache

Englisch

ISBN

978-1-350-22516-9

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

09.02.2023

Herausgeber

Verlag

Arden shakespeare

Seitenzahl

416

Maße (L/B/H)

23,1/15,5/2,5 cm

Gewicht

703 g

Sprache

Englisch

ISBN

978-1-350-22516-9

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Arden Research Handbook of Shakespeare and Contemporary Performance
  • List of Illustrations
    Notes on Contributors
    Series Preface
    Acknowledgements

    Introduction
    Peter Kirwan (University of Nottingham, UK) and Kathryn Prince (University of Ottawa, Canada)

    Part 1: Research Methods and Problems
    1.1 The Archive: Show Reporting Shakespeare
    Rob Conkie (La Trobe University in Melbourne, Australia)
    1.2 The Audience: Receiving and Remaking Experience
    Margaret Jane Kidnie (University of Western Ontario, Canada)
    1.3 The Event: Festival Shakespeare
    Paul Prescott (University of Warwick, UK)

    Part 2: Current Research and Issues
    2.1 Original Practices: Old Ways and New Directions
    Sarah Dustagheer (University of Kent, UK)
    2.2 Space: Locus and Platea in Modern Shakespearean Performance
    Stephen Purcell (University of Warwick, UK)
    2.3 Economics: Shakespeare Performing Cities
    Susan Bennett (University of Calgary, Canada)
    2.4 Networks: Researching Global Shakespeare
    Sonia Massai (King's College London, UK)
    2.5 Global Mediations: Performing Shakespeare in the Age of Global and Digital Cultures
    Alexa Alice Joubin (George Washington University, USA)
    2.6 Canon: Framing Not-Shakespeare Performance
    Eoin Price (Swansea University, UK)
    2.7 Pedagogy: Decolonizing Shakespeare on Stage
    Andrew James Hartley (UNC Charlotte, USA), Kaja Dunn (UNC Charlotte, USA) and Christopher Berry (Black Theatre Network & Black Arts Institute)
    2.8 Ethics: Practising Diversity at the Stratford Festival of Canada: Shakespeare, Performance and Ethics in the Twenty-First Century
    Erin Julian (University of Roehampton London/King's College London, UK) and Kim Solga (Western University, Canada)
    2.9 Bodies: Gender, Race, Ability and the Shakespearean Stage
    Roberta Barker (Dalhousie University, Canada)
    2.10 Technology: The Desire Called Cinema: Materiality, Biopolitics, and Post-Anthropocentric Feminism in Julie Taymor's The Tempest
    Courtney Lehmann (University of the Pacific, USA)

    Part 3: New Directions in Shakespeare and Performance
    Curated by C. K. Ash (Independent researcher) and Nora J. Williams (University of Essex, UK)
    3.1 Anne G. Morgan
    3.2 Jatinder Verma
    3.3 Judith Greenwood
    3.4 Dan Bray and Colleen MacIsaac
    3.5 Migdalia Cruz
    3.6 Lisa Wolpe
    3.7 Julia Nish-Lapidus and James Wallis
    3.8 Ravi Jain
    3.9 Emma Whipday
    3.10 Wole Oguntokun
    3.11 Vishal Bhardwaj
    3.12 Adam Cunis
    3.13 James Loehlin
    3.14 Denice Hicks
    3.15 @Shakespeare
    3.16 Jung-ung Yang

    Part 4: Resources for Researchers
    4.1 A Fifty-Year History of Performance Criticism
    James C. Bulman (Allegheny College, USA)
    4.2 A-Z of Key Terms
    Bríd Phillips (University of Western Australia, Australia), with Peter Kirwan (University of Nottingham, UK) and Kathryn Prince (University of Ottawa, Canada)
    4.3 Annotated Bibliography
    Karin Brown (University of Birmingham, UK), Peter Kirwan (University of Nottingham, UK) and Kathryn Prince (University of Ottawa, Canada)
    4.4 Resources
    Peter Kirwan (University of Nottingham, UK) and Kathryn Prince (University of Ottawa, Canada)

    Index