Produktbild: The Feldenkrais Method in Creative Practice

The Feldenkrais Method in Creative Practice Dance, Music and Theatre

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

25.08.2022

Herausgeber

Robert Sholl

Verlag

Methuen Drama

Seitenzahl

256

Maße (L/B/H)

24,4/17/1,4 cm

Gewicht

448 g

Sprache

Englisch

ISBN

978-1-350-20349-5

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

25.08.2022

Herausgeber

Robert Sholl

Verlag

Methuen Drama

Seitenzahl

256

Maße (L/B/H)

24,4/17/1,4 cm

Gewicht

448 g

Sprache

Englisch

ISBN

978-1-350-20349-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Feldenkrais Method in Creative Practice
  • TABLE OF CONTENTS

    List of Figures
    List of Contributors
    Foreword by Garet Newell
    Acknowledgements

    Introduction by Robert Sholl, University of West London, UK

    PART 1: Historical Perspectives on Creative Practice

    Chapter 1: Feldenkrais and the Modernist Body - Thomas Kampe, Bath Spa University, UK

    Chapter 2: Feldenkrais, Freud, Lacan, and Gould: how to love thyself not as thy neighbour - Robert Sholl, Royal Academy of Music, UK

    Chapter 3: Learning Through Feeling: How the Ideas of Nikolai Bernstein and Moshe Feldenkrais Apply to Performer Training - Dick McCaw, Royal Holloway, UK

    PART 2: From Science into Creative Practice

    Chapter 4: The Work of Dr Mosche Feldenkrais: A New Applied Kinesiology and a Radical Questioning of Training and Technique - Maxine Sheets-Johnstone, University of Oregon, USA

    Chapter 5: Radical Practice: Practising Performance and Practising Oneself is the Same Activity - Roger Russell, Feldenkraiszentrum, Heidelberg, Germany

    Chapter 6: Gaining insight on the impact of Feldenkrais Functional Integration in the context of piano playing: Considerations for measuring posture and movement quality: Part I: The Feldenkrais Method and Pianists: A pilot study of objective measurement of posture and movement - Jillian Beacon, University of Ottawa, Canada, Gilles Comeau, University of Ottawa, Canada and Donald Russell, Carleton University, Canada

    Chapter 7: Part II: Considerations for measuring posture and movement quality - Jillian Beacon, University of Ottawa, Canada, Gilles Comeau, University of Ottawa, Canada and Donald Russell, Carleton University, Canada

    PART 3: Studies in Creative Practice

    Chapter 8: Mapping Body Awareness onto Piano Performance for Artistic Rejuvenation - Alan Fraser, Alan Fraser Piano Institute, France

    Chapter 9: Building a Model for Injury Prevention in Music Pedagogy Rooted in Feldenkrais's Philosophy and Methodology for Learning - Lisa Burrell, Lone Star College, Houston, Texas, USA

    Chapter 10: A Sense of Safety: Polyvagal Theory, The Feldenkrais Method and the Acting Process - Victoria Worsley, Feldenkrais Guild, UK

    Chapter 11: Curing the Acting Habit - The Feldenkrais Method, Actors, compulsion, and the performing-arts industry - Mark Lacey, Independent scholar, UK

    Chapter 12: Tuning the Body: dancing and singing from rehearsal to performance - Marcia Carr, Independent scholar, UK

    Chapter 13: Food for no-thought . meandering between a personal somatic practice and Feldenkrais teaching - Sylvie Forth, professor at the Dance Department of University du Québec à Montréal, Canada

    Bibliography
    Index