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Produktbild: Materializing Digital Futures

Materializing Digital Futures Touch, Movement, Sound and Vision

153,99 €

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

24.02.2022

Herausgeber

Cinque Toija + weitere

Verlag

Bloomsbury Academic

Seitenzahl

352

Maße (L/B/H)

16,1/23,8/3,4 cm

Gewicht

800 g

Sprache

Englisch

ISBN

978-1-5013-6125-8

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

24.02.2022

Herausgeber

Verlag

Bloomsbury Academic

Seitenzahl

352

Maße (L/B/H)

16,1/23,8/3,4 cm

Gewicht

800 g

Sprache

Englisch

ISBN

978-1-5013-6125-8

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Materializing Digital Futures
  • Introduction Toija Cinque (Deakin University, Australia) and Jordan Beth Vincent (Deakin University, Australia) Section I: Socio-aesthetics of Sound and Sight Toija Cinque (Deakin University, Australia) 1. Virtual Reality, Tilt Brush, and the 'Optical Explosion of the Senses' Angela Ndalianis (Swinburne University, Australia) 2. Sensing Sims: Staging Phenomenology, Epistemology and Materiality in Games Merlin Seller (University of Edinburgh, UK) 3. Embodied Audiovisual Experience: The Role of Sound in Contemporary Screen and Digital Media Darrin Sean Verhagen (RMIT University, Australia) and Ben Byrne (RMIT University, Australia) 4. Volumetric Black: Post-Cinematic Blackness Triton Mobley (University of Southern California, USA) Section II: The Data-Driven Era of Quantified Media Visibility Toija Cinque (Deakin University, Australia) 5. Virtual Reality and Kinaesthetic Connection: Qualities of "Being There" Kim Vincs (Swinburne University, Australia) 6. Feminist Memes: Digital Community, Identity, and Resistance from the Shadows Shana MacDonald (University at Waterloo, Canada) and Brianna Wiens (York University, Canada) 7. Socially Just Algorithmic Cultures: AI, Curatorial Lives, Quantified Media and the Pixelated Spectre of Self Toija Cinque (Deakin University, Australia) 8. The Infinite Portrait: A Case Study in Posthuman Authorship Andrew McIntyre (University of Glasgow, UK) Section III: Touch, Body, Metal, Screen Jordan Beth Vincent (Deakin University, Australia) 9. Automation is a Myth Luke Munn ( Western Sydney University, Australia) 10. Physical Digitality: Making Reality Visible Through Multimodal Digital Affordances for Human Perception Luke Heemsbergen, Greg Bowtell and Jordan Beth Vincent (Deakin University, Australia) 11. A True Feeling: Fitting the Touch Sense in the Digital Fashion Experience: Challenges and Promises of Haptic (Surface) Technologies Michela Ornati (Universita della Svizzera italiana, Switzerland) 12. AI/HI: What Robots Learn from Performative Relationships and Interactive Performance John McCormick (Swinburne University, Australia) and Stephanie Hutchison (Queensland University of Technology, Australia) Section IV: Digital Futures of "Home" Making Toija Cinque (Deakin University) and Jordan Beth Vincent (Deakin University, Australia) 13. Home, Smart Home: How do Smart Devices Transform our Experience and Understanding of Home Xi Cui (College of Charleston, South Carolina, USA) 14. On a Darker Turn: Affectivity and the Digitization of War John MacWillie (California State University, USA) 15. First Encounters through Embodied Observation, Imagined Narrative and Choreography Amy LaViers (University of Illinois at Urbana-Champaign, USA) 16. Dark Mirrors Renata Lemos Morais, Sayjel Patel and Raffi Tchakerian (The Dubai Institute of Design and Innovation, UAE ) Conclusion Toija Cinque (Deakin University, Australia) and Jordan Beth Vincent (Deakin University, Australia) Index