Painting Popularly Explained Including Fresco, Oil, Mosaic, Water-Color, Water-Glass, Tempera, Encaustic, Miniature, Painting On Ivory, Vellum, Pottery, Porcelain, Enamel, Glass, &C. With Historical Sketches Of The Progress Of Art
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- Englisch ausgewählt
14,99 €
inkl. gesetzl. MwSt.,
Beschreibung
Produktdetails
Einband
Taschenbuch
Erscheinungsdatum
06.04.2021
Verlag
Alpha EditionsSeitenzahl
366
Maße (L/B/H)
22,9/15,2/2,2 cm
Gewicht
594 g
Sprache
Englisch
ISBN
978-93-5450-571-3
Paint speaks in many tongues. In Painting Popularly Explained, Thomas John Gullick opens the studio door on a world of craft: fresco, oil, mosaic, water-colour, water-glass, tempera, encaustic, miniature work, and painting on ivory, vellum, pottery, porcelain, enamel, and glass. Written as a painting techniques handbook with the clarity of a classical art instruction manual, it brings specialised practice into plain view without losing the romance of making. Gullick blends step-by-step know-how with historical sketches of art's progress, creating a traditional artists materials guide as well as a record of how pictures were physically built. You will find fresco painting methods alongside an oil painting process guide, and practical discussion of encaustic tempera mosaic techniques set against the wider story of workshops, inventions, and taste. For painters, it is a studio methods reference packed with period insight; for learners, an art students reference book that answers the questions modern tutorials often skip: surfaces, binders, durability, and the logic behind old master painting recipes. Read today, it stands as a vivid nineteenth century painting guide and a key witness to Victorian era art methods, valued both for instruction and for its sense of continuity with the past - a historical art processes collection in one volume. Republished by Alpha Editions in a careful modern edition, this volume preserves the spirit of the original while making it effortless to enjoy today - a heritage title prepared for readers and collectors alike.
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