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  • Produktbild: Music in the Making of Modern Japan
  • Produktbild: Music in the Making of Modern Japan

Music in the Making of Modern Japan Essays on Reception, Transformation and Cultural Flows

Aus der Reihe Pop Music, Culture and Identity

126,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

31.07.2021

Abbildungen

XV, 215 p. 1 illus.

Herausgeber

Kei Hibino + weitere

Verlag

Springer

Seitenzahl

215

Maße (L/B/H)

21,6/15,3/1,8 cm

Gewicht

418 g

Auflage

21001 Auflage 1st edition 2021

Sprache

Englisch

ISBN

978-3-030-73826-6

Beschreibung

Portrait


Kei Hibino
is Professor of English in the Faculty of Humanities, Seikei University, Japan. His published works include: The Postwar Development of Japanese Musicals (2017), American Labor: The Cultural Representations of Labor in the United States (2017), and Japonisme in Theatre (2016).


Barnaby Ralph
is a Professor in the Department of British and American Literature, Seikei University, Japan.  Recent publications include the book London And Literature, 1603-1901, for which he was principal editor, “Four Men in a Boat: Dryden, D'Avenant, Shadwell, Locke and The Tempest”.


Henry Johnson
is Professor of Music at the University of Otago, New Zealand. His books include The Koto (Hotei, 2004), The Shamisen (2010) and The Shakuhachi (2014). He is Associate Director of the Centre for Global Migrations at the University of Otago.

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

31.07.2021

Abbildungen

XV, 215 p. 1 illus.

Herausgeber

Verlag

Springer

Seitenzahl

215

Maße (L/B/H)

21,6/15,3/1,8 cm

Gewicht

418 g

Auflage

21001 Auflage 1st edition 2021

Sprache

Englisch

ISBN

978-3-030-73826-6

Herstelleradresse

Springer-Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE

Email: GPSR Kontakt

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  • Produktbild: Music in the Making of Modern Japan
  • Produktbild: Music in the Making of Modern Japan

  • 1. 
    Introduction
    (Kei Hibino, Barnaby Ralph and Henry Johnson).- PART I. 
    Reception.- 2
    . Western Art Music in Pre-Edo and Meiji Japan: Historical Reception, Cultural Change and Education (Ayako Otomo).- 3. Western Musical Elements in Japanese
    Koto
    Music from the 19
    th
    to 21
    st
    Centuries: Sonic, Visual and Behavioral Spheres in a Context of Cultural Change (Henry Johnson).- 4. Guitar Making and Intercultural Communication in Japan and Australia (Gavin Carfoot).- PART II. 
    Transformation
    .- 5. Black Intentions: Maki Ishii, Ryohei Hirose, Makoto Shinohara and the Japanese Avant-Garde (Barnaby Ralph).- 6. 
    Scarlett
    , an American Musical Made in Japan; or, How Japanese Learned to Stop Worrying and Love Integrated Musicals (Kei Hibino).- 7. Like Some Cat from Japan: Masayoshi Sukita’s Photographs of David Bowie as Japan’s First Appearance in the History of Rock Music (Yuki Gennaka).- PART III. 
    Cultural Flow.- 8
    .The Flow of Jazz in Japan: Why Jazz Resonates So Far from Home (Michael Pronko).- 9. Juna's Groove and Emi's Beat: Women and Rock in Modern Japan (Barnaby Ralph in conversation with Emi Yonekubo and Juna Serita).- 10. Manufacturing Identity: Femininity, Discourse and Representation in Japanese Popular Music (Aya Sato and Ayako Otomo).