Paris, Capital of the Black Atlantic Literature, Modernity, and Diaspora
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Sprache:Englisch
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Ja
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Jeremy BraddockVerlag
Johns Hopkins University PressSeitenzahl
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3236 KB
Sprache
Englisch
EAN
9781421410043
"How African-American artists and intellectuals sought greater liberty in Paris while also questioning the extent of the freedoms they so publicly praised." -
American Literary History
Paris has always fascinated and welcomed writers. Throughout the twentieth and into the twenty-first century, writers of American, Caribbean, and African descent were no exception.
Paris, Capital of the Black Atlanticconsiders the travels made to Paris-whether literally or imaginatively-by black writers. These collected essays explore the transatlantic circulation of ideas, texts, and objects to which such travels to Paris contributed.
Editors Jeremy Braddock and Jonathan P. Eburne expand upon an acclaimed special issue of the journal
Modern Fiction Studieswith four new essays and a revised introduction. Beginning with W. E. B. Du Bois's trip to Paris in 1900and ending with the contemporary state of diasporic letters in the French capital, this collection embraces theoretical close readings, materialist intellectual studies of networks, comparative essays, and writings at the intersection of literary and visual studies.
Paris, Capital of the Black Atlanticis unique both in its focus on literary fiction as a formal and sociological category and in the range of examples it brings to bear on the question of Paris as an imaginary capital of diasporic consciousness.
"Demonstrate[s] how Black writers shaped history and contributed to conflicting notions of modernity hosted in Paris ... The wide range of writers and scholars from American and Francophone studies makes this collection very original and an exciting adventure in concepts, movements, and ideologies that could be acceptable to non-specialists as well." -
American Studies
American Literary History
Paris has always fascinated and welcomed writers. Throughout the twentieth and into the twenty-first century, writers of American, Caribbean, and African descent were no exception.
Paris, Capital of the Black Atlanticconsiders the travels made to Paris-whether literally or imaginatively-by black writers. These collected essays explore the transatlantic circulation of ideas, texts, and objects to which such travels to Paris contributed.
Editors Jeremy Braddock and Jonathan P. Eburne expand upon an acclaimed special issue of the journal
Modern Fiction Studieswith four new essays and a revised introduction. Beginning with W. E. B. Du Bois's trip to Paris in 1900and ending with the contemporary state of diasporic letters in the French capital, this collection embraces theoretical close readings, materialist intellectual studies of networks, comparative essays, and writings at the intersection of literary and visual studies.
Paris, Capital of the Black Atlanticis unique both in its focus on literary fiction as a formal and sociological category and in the range of examples it brings to bear on the question of Paris as an imaginary capital of diasporic consciousness.
"Demonstrate[s] how Black writers shaped history and contributed to conflicting notions of modernity hosted in Paris ... The wide range of writers and scholars from American and Francophone studies makes this collection very original and an exciting adventure in concepts, movements, and ideologies that could be acceptable to non-specialists as well." -
American Studies
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