Produktbild: A Life in 16 Films
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A Life in 16 Films How Cinema Made a Playwright

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.07.2021

Verlag

Methuen Drama

Seitenzahl

144

Maße (L/B/H)

16,5/24,2/1,6 cm

Gewicht

376 g

Sprache

Englisch

ISBN

978-1-350-20522-2

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.07.2021

Verlag

Methuen Drama

Seitenzahl

144

Maße (L/B/H)

16,5/24,2/1,6 cm

Gewicht

376 g

Sprache

Englisch

ISBN

978-1-350-20522-2

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: A Life in 16 Films
  • Introduction - Dark Waters (2019, Todd Haynes)
    Watching film in an age of Covid

    The Wizard of Oz (1939, Victor Fleming)
    Working-class cinema-going in the Midlands; children and adult film; the Western; film as an embodiment of maleness

    Logan's Run (1976, Michael Anderson)
    Rural England and the appeal of horror and sci-fi; rural v city; class conflict

    Nosferatu The Vampyre (1979, Werner Herzog)
    Grammar school in the 80s; uncinematic nature of provincial Britain; discovery of art and European film

    Solaris (1972, Andrei Tarkovsky)
    Coming of age during Thatcher and punk; film and cycling; the rise of Channel 4 as a vector for film; second cold war; Solaris v Apocalypse Now

    Shoah (1985, Claude Lanzmann)
    Kibbutz Dalia, Israel; Film and internationalism; film and the Holocaust; travels in the Middle East; confirmation bias

    Vagabond (1985, Agnès Varda)
    Film and intellectualism at Oxford University; feminist and queer film; making film

    Comrades (1986, Bill Douglas)
    Film, work and radical politics; Communist and the city of Bristol; theatre and radical film-making; John Akomfrah and Julian Isaac

    The White Hell of Pitz Palu (1929, Arnold Fanck and GW Pabst)
    Becoming a teacher; film history and education; falling in love through film

    Reservoir Dogs (1992, Quentin Tarantino)
    Studying with playwrights Sarah Kane and David Edgar; Reservoir Dogs and Blasted; caught between film and theatre; influence of David Mamet, Quentin Tarantino and Sarah Kane

    Winter Light (1963, Ingmar Bergman)
    Film, marriage and faith; Bergman and Bresson; film as ritual; becoming a theatre director; becoming a playwright

    Code Unknown (2001, Michael Haneke)
    Film and London; residential playwright at Hampstead Theatre; writing and multi-culturalism; Haneke's pessimism versus 'Cool Britannia'

    The Wind Will Carry Us (2000, Abbas Kiarostami)
    After 9/11; film and the War on Terror; film and having children; writing World music; influence of Iranian film

    An Inconvenient Truth (2006, Davis Guggenheim)
    Film and ecology; climate change activism and writing The Contingency Plan; adapting theatre to film

    Hell or High Water (2016, David Mackenzie)
    Film and precarity; parents' death; illness; end of cinema; growth of populism

    Afterword - Girlhood (2019, Céline Sciamma)
    Watching films with my daughter

    Index