The Duchess of Angus
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Form:Einzelkauf Download
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Sprache:Englisch
14,49 €
inkl. gesetzl. MwSt.Beschreibung
Produktdetails
Format
ePUB
Kopierschutz
Ja
Family Sharing
Nein
Text-to-Speech
Ja
Erscheinungsdatum
23.03.2020
Herausgeber
Jenny DavidsonVerlag
Trinity University PressSeitenzahl
(Printausgabe)
Dateigröße
4222 KB
Sprache
Englisch
EAN
9781595349088
Written in the 1950s and discovered by family members years after her death, Margaret Brown Kilik's shocking coming-of-age novel of the emotional and sexual brutality of young women's lives in wartime San Antonio deserves a place on the shelf alongside classic novels like Sylvia Plath's The Bell Jar and Carson McCullers's The Member of the Wedding.
The Duchess of Angus reworks Kilik's unusual personal history (her mother spent the 1930s running flophouse hotels all over the United States, leaving Margaret to be brought up by a host of relatives) into a riveting portrait of a young woman navigating a conflicted and rapidly changing world, one in which sex promises both freedom from convention and violent subjection to men's will. Strikingly modern in its depiction of protagonist Jane Davis and her gorgeous, unreadable friend Wade Howell, The Duchess of Angus covers some of the same emotional territory as novels like Emma Cline's The Girls and Robyn Wasserman's Girls on Fire.
Includes an introduction by Jenny Davidson and contextual essays by Laura Hernández-Ehrisma and Char Miller.
The Duchess of Angus reworks Kilik's unusual personal history (her mother spent the 1930s running flophouse hotels all over the United States, leaving Margaret to be brought up by a host of relatives) into a riveting portrait of a young woman navigating a conflicted and rapidly changing world, one in which sex promises both freedom from convention and violent subjection to men's will. Strikingly modern in its depiction of protagonist Jane Davis and her gorgeous, unreadable friend Wade Howell, The Duchess of Angus covers some of the same emotional territory as novels like Emma Cline's The Girls and Robyn Wasserman's Girls on Fire.
Includes an introduction by Jenny Davidson and contextual essays by Laura Hernández-Ehrisma and Char Miller.
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