Produktbild: Popular Music and the Moving Image in Eastern Europe

Popular Music and the Moving Image in Eastern Europe

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

25.06.2020

Abbildungen

1 bw illus

Herausgeber

Ewa Mazierska + weitere

Verlag

Bloomsbury Academic

Seitenzahl

258

Maße (L/B/H)

22,9/15,2/1,4 cm

Gewicht

351 g

Sprache

Englisch

ISBN

978-1-5013-6502-7

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

25.06.2020

Abbildungen

1 bw illus

Herausgeber

Verlag

Bloomsbury Academic

Seitenzahl

258

Maße (L/B/H)

22,9/15,2/1,4 cm

Gewicht

351 g

Sprache

Englisch

ISBN

978-1-5013-6502-7

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: Popular Music and the Moving Image in Eastern Europe
  • Table of Contents

    Introductions: Popular Music and the Moving Image in Eastern Europe
    Ewa Mazierska (University of Central Lancashire, UK) and Zsolt Gyori (University of Debrecen, Hungary)

    Chapter 1
    1968 Leftist Utopianism in The Young Girls of Rochefort and Hot Summer
    Evan Torner (University of Cincinnati, USA)

    Chapter 2
    Representing Modern Romania in the Musical of State Socialist Period Gabriela Filippi (I.L. Caragiale National University of Theatre and Film, Romania)

    Chapter 3
    Worlds That Never Were: Contemporary Eastern European Musical Comedies and the Memory of Socialism
    Balázs Varga (Eötvös Loránd University, Hungary)

    Chapter 4
    Pop Music, Nostalgia and Melancholia in Dollybirds and Liza, the Fox Fairy
    Hajnal Király (Insitute for Hungarian Literary and Cultural Studies, Eötvös Lóránd University, Hungary)

    Chapter 5
    When the Golden Kids Met the Bright Young Men and Women: Rebellion, Innovation and Cultural Tradition in the Czech 1960s Music Film
    Jonathan Owen (Courtauld Institute of Art, UK)

    Chapter 6
    'Music Isn't Music, Words Aren't Words': Underground Music in the Hungarian Cinema of the New Sensibility
    Zsolt Gyori

    Chapter 7
    Socialist Night Fever: Yugoslav Disco on Film and Television
    Marko Zubak (Croatian Institute of History, Croatia)

    Chapter 8
    Disco Polo and Techno according to Maria Zmarz-Koczanowicz
    Ewa Mazierska

    Chapter 9
    Musical Variations in Karpo Godina's Alternative Cinema
    Andrej Sprah (Slovenian Cinematheque, Slovenia)

    Chapter 10
    Polish Music Videos: Between Parochialism and Universalism
    Ewa Mazierska

    Chapter 11
    'She Stole It from Beyoncé!' - Transnational Borrowing in Bulgarian Pop-Folk Music Videos and Audience Reaction to the Practice
    Maya Nedyalkova (Oxford Brookes University, UK)

    Chapter 12
    Postsocialist Social Reality in Hungarian Rap Music Videos
    Anna Batori (Babes-Bolyai University, Cluj-Napoca, Romania)

    List of Contributors
    Index