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Produktbild: Kick It

Kick It A Social History of the Drum Kit

59,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

11.02.2020

Abbildungen

21 illus., 1 musical ex., 31 photos

Verlag

Oxford University Press

Seitenzahl

382

Maße (L/B/H)

23,4/15,6/2,1 cm

Gewicht

579 g

Sprache

Englisch

ISBN

978-0-19-068387-0

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

11.02.2020

Abbildungen

21 illus., 1 musical ex., 31 photos

Verlag

Oxford University Press

Seitenzahl

382

Maße (L/B/H)

23,4/15,6/2,1 cm

Gewicht

579 g

Sprache

Englisch

ISBN

978-0-19-068387-0

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: Kick It

    • Acknowledgments
    • Introduction: Hanging around with musicians
    • Chapter 1: Clever drummers, primitivism, entrepreneurialism, and the invention of the trap drummer's outfit
    • · The transatlantic slave trade
    • · The snare drum, bass drum, and cymbals come together
    • · The birth of highbrow and lowbrow music
    • · Being a drummer in nineteenth century America
    • · Tinkerers, inventors, and entrepreneurs
    • · The trap drummer's outfit
    • Chapter 2: Noisy drummers, ragtime, jazz, and the avant-garde
    • · Ragged time
    • · "Instruments of a lower order"
    • · Trap drummers, sound effects, and moving pictures
    • · Noisy women, immigrant cultures, and Tin Pan Alley
    • · The birth of jazz
    • · Quiet in the studio!
    • · Drums and noise conquer the classical world
    • Chapter 3: Studious drummers, selling drum outfits, standardization, and stardom
    • · Fakers versus readers
    • · Selling the drum kit
    • · The drum outfit travels the world
    • · Cymbal making and the invention of the hi-hat
    • · Swing bands and star drummers
    • · Slingerland and the standardization of the drum outfit
    • Chapter 4: Creative drummers, artistry, virtuosity, and playing time
    • · Prodigies and showmen
    • · Bebop and the melody of the drum kit
    • · Drummers and drum makers in dialogue
    • · The rise of the backbeat
    • · The drum kit in Britain and the birth of beat groups
    • · The recruitment of Ringo
    • · Theorizing creativity on the drum kit
    • Chapter 5: Working drummers, musical labour, role playing, and authorship
    • · The job of a session drummer
    • · The job of a rock star drummer
    • · The globalization of drum kit production
    • · Credit where credit is due
    • · Song authorship and getting paid
    • Chapter 6: Indispensable drummers, drum machines, and record production
    • · The drum kit on record
    • · The multi-track recording studio
    • · Diasporic drumming practices and dance records
    • · Rise of the machines
    • · From the margins to the centre of the mix
    • · Drummers as producers
    • · Augmenting the drum kit and drumming without drummers
    • Conclusion: The tyranny of the snare drum
    • Endnotes
    • References
    • Index