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Produktbild: Popular Music in the Post-Digital Age

Popular Music in the Post-Digital Age Politics, Economy, Culture and Technology

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

13.12.2018

Herausgeber

Ewa Mazierska + weitere

Verlag

Bloomsbury Publishing

Seitenzahl

306

Maße (L/B/H)

22,9/15,2/1,9 cm

Gewicht

580 g

Sprache

Englisch

ISBN

978-1-5013-3837-3

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

13.12.2018

Herausgeber

Verlag

Bloomsbury Publishing

Seitenzahl

306

Maße (L/B/H)

22,9/15,2/1,9 cm

Gewicht

580 g

Sprache

Englisch

ISBN

978-1-5013-3837-3

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Popular Music in the Post-Digital Age

  • List of Contributors
    Introduction: The Future of and through Music
    Ewa Mazierska, Les Gillon and Tony Rigg
    Part 1: Music Industry
    1. Rethinking Independence: What Does 'Independent Record Label' Mean Today?
    Patryk Galuszka and Katarzyna M. Wyrzykowska, University of Lodz, Poland
    2. The Future of Digital Music Infrastructures: Expectations and Promises of the Blockchain 'Revolution'
    Paolo Magaudda, University of Padua
    3. 'The Sound of the Future is Here Today': The Market for Post-Rock Within the Traditional Small Music Festival Landscape
    Kenneth Forbes, University of the West of Scotland, UK
    4. 'They Sold the Festival Out!': Axionormativity as the Future of Festivals
    Waldemar Kuligowski, Adam Mickiewicz University, Poland
    5. The Hidden Worker Bees: Advanced Neoliberalism and Manchester's Underground Club Scene
    Kamila Rymajdo, Kingston University, UK
    Part 2: Musicians and Their Music
    6. The Adaptive Musician: The Case of Peter Hook and Graham Massey
    Ewa Mazierska and Tony Rigg, University of Central Lancashire, UK
    7. Where Do We Go From Here?: The Future of Composers in the Post-Digital Era
    Lars Bröndum, University of Skövde, Sweden
    8. Searching for International Success in Europe's Periphery: The Case of Gin Ga and Fran Palermo
    Ewa Mazierska, University of Central Lancashire, UK
    9. Electro Swing: The Re-Introduction of the Sounds of the Past into the Music of the Future
    Chris Inglis, University of South Wales, UK
    Part 3: Music Consumption
    10. Back to the Future: Proposing a Heuristic for Predicting the Future of Recorded Music Use
    Mathew Flynn, University of Liverpool, UK
    11. Young People's Current Music and Media Use in Austria: The Musical Practice of the Future?
    Michael Huber, University of Vienna, Austria
    12. Curators as Taste Entrepreneurs in the Digital Music Industries
    Emilia Barna, Budapest University of Technology and Economics, Hungary
    13. An Echoic Chamber: Algorithmic Curation and Personalised Listening
    Andrew Fry, Sounds et al, USA
    Index