Produktbild: Global Cinema Networks

Global Cinema Networks

Aus der Reihe Media Matters

39,99 €

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

17.08.2018

Abbildungen

49 b-w photographs

Herausgeber

Elena Gorfinkel + weitere

Verlag

Rutgers University Press

Seitenzahl

284

Maße (L/B/H)

22,8/15,4/2,2 cm

Gewicht

388 g

Sprache

Englisch

ISBN

978-0-8135-9272-5

Beschreibung

Rezension

"Assembling an impressive group of internationally recognized scholars, this ambitious volume offers a sustained engagement with cultural infrastructures like film festivals, visual motifs of the global, with a capaciousness that stretches global cinema across a century." - Nitin Govil (author of Orienting Hollywood: A Century of Film Culture between Los Angeles and Bombay)

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

17.08.2018

Abbildungen

49 b-w photographs

Herausgeber

Verlag

Rutgers University Press

Seitenzahl

284

Maße (L/B/H)

22,8/15,4/2,2 cm

Gewicht

388 g

Sprache

Englisch

ISBN

978-0-8135-9272-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Global Cinema Networks
  • Table of Contents

    Chapter 1: Introduction: Global Cinemas in a Time of Networks
    Elena Gorfinkel, King's College London (U.K.)

    Part 1: Cartographies, Geopolitics, Aesthetics

    Chapter 2: Beyond and Beneath the Map of World Cinema
    Dudley Andrew, Yale University

    Chapter 3: Frame
    Adrian Martin, Monash University (Australia)

    Chapter 4: Abstraction and the Geopolitical: Lessons from Antonioni's Trip to China
    John David Rhodes, University of Cambridge

    Chapter 5: The City of Bits and Urban Rule: Media Archaeology, Urban Space, and Contemporary Chinese Documentary
    James Tweedie, University of Washington

    Part 2: Global Ideality, History, Representation

    Chapter 6: Toward an Archeology of Global Rhythms: Melodie der Welt (Melody of the World, 1929) and its Reception in France
    Laurent Guido, University of Lille (France)

    Chapter 7: When Cinema was Humanism
    Karl Schoonover, University of Warwick

    Chapter 8: African Cinema: Digital Media and Expanding Frames of Representation
    N. Frank Ukadike, Tulane University, New Orleans

    Chapter 9: Changing Circumstances: Global Flows of Lesbian Cinema
    Patricia White, Swarthmore College

    Part 3: Kinships, Identifications, Genres

    Chapter 10: Hermano and La hora cero: Violence and Transgressive Subjectivities in Venezuelan Youth Cinema
    Luisela Alvaray, DePaul University

    Chapter 11: Between Love and the Moral Law: The Fatal Mother in Park Chan-wook's Sympathy for Lady Vengeance
    Peter Y. Paik, Yonsei University (Korea)

    Chapter 12: The Queer Mexican Cinema of JuliÁn HernÁndez
    Gilberto M. Blasini, University of Wisconsin-Milwaukee

    Chapter 13: The Gangster Film as World Cinema
    Jian Xu, University of Wisconsin-Milwaukee

    Chapter 14: Epilogue: 24 Frames: Regarding the Past and Future of Global Cinema
    Tami Williams, University of Wisconsin-Milwaukee