You Should Have Left A Novel
Aus der Reihe
Knopf Doubleday Publishing Group
-
- Hardcover
- Taschenbuch ausgewählt
- eBook
- Hörbuch
-
Sprache:Englisch
15,49 €
inkl. gesetzl. MwSt.,
Lieferung nach Hause
Beschreibung
Produktdetails
Verkaufsrang
36984
Einband
Taschenbuch
Erscheinungsdatum
12.06.2018
Verlag
Random House N.Y.Seitenzahl
128
Maße (L/B/H)
20/13/1 cm
Gewicht
124 g
Farbe
Schwarz / Beige
Übersetzt von
Ross Benjamin
Sprache
Englisch
ISBN
978-0-525-43291-3
NOW A MAJOR MOTION PICTURE • From the internationally bestselling author of The Director, an eerie and supernatural tale of a writer's emotional collapse
“Mind-bending. . . . Part horror, part science fiction.” —The New York Times Book Review
"This is a story about a marriage in trouble, and about a seemingly impossible desire to protect a young child . . . but also about something else, something unavoidable and powerful but terrifyingly vague.” —The Spectator
“Clever, exquisitely terrifying. . . . [Kehlmann] makes entertainment out of metaphysics.” —Harper’s Magazine
A screenwriter, his wife, and their four-year old daughter rent a house in the mountains of Germany, but something isn’t right. As he toils on a sequel to his most successful movie, the screenwriter notices that rooms aren’t where he remembers them—and finds in his notebook words that are not his own.
“Mind-bending. . . . Part horror, part science fiction.” —The New York Times Book Review
"This is a story about a marriage in trouble, and about a seemingly impossible desire to protect a young child . . . but also about something else, something unavoidable and powerful but terrifyingly vague.” —The Spectator
“Clever, exquisitely terrifying. . . . [Kehlmann] makes entertainment out of metaphysics.” —Harper’s Magazine
A screenwriter, his wife, and their four-year old daughter rent a house in the mountains of Germany, but something isn’t right. As he toils on a sequel to his most successful movie, the screenwriter notices that rooms aren’t where he remembers them—and finds in his notebook words that are not his own.
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