Style and Meaning
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- Hardcover ausgewählt
- Taschenbuch
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Sprache:Englisch
136,99 €
UVP
165,00 €
inkl. gesetzl. MwSt.,
Beschreibung
Produktdetails
Einband
Gebundene Ausgabe
Erscheinungsdatum
15.09.2017
Abbildungen
54 Farbabb.
Herausgeber
Alison Clark + weitereVerlag
Sidestone PressSeitenzahl
304
Maße (L/B/H)
26,3/18,7/2,4 cm
Gewicht
1084 g
Auflage
1. Auflage
Sprache
Englisch
ISBN
978-90-8890-447-9
Fifty years later, art has renewed global significance, and anthropologists are again considering both its local expressions among Indigenous peoples and its new global circulation. In this context, Forge's arguments have renewed relevance: they help scholars and students understand the genealogies of current debates, and remind us of fundamental questions that remain unanswered.
This volume brings together Forge's most important writings on the anthropology of art, published over a thirty year period, together with six assessments of his legacy, including extended reappraisals of Sepik ethnography, by distinguished anthropologists from Australia, Germany, Switzerland and the United Kingdom.
Anthony Forge was born in London in 1929. A student at Downing College, Cambridge, he studied anthropology with Edmund Leach, and went on to undertake research with Raymond Firth at the London School of Economics. Over 1958-63 he undertook several periods of fieldwork among the Abelam of the Sepik region of Papua New Guinea, made major collections for the Museum der Kulturen, Basel, and went on to write a series of essays which were enormously influential for the anthropology of art and for studies of Melanesia. He was appointed Foundation Professor of Anthropology at the Australian National University in 1974 and taught there until his death in 1991.
Contents
List of images
Preface
General Introduction
Part 1: Anthony Forge on art, 1960-1990
1. Introduction to Primitive Art and Society (1973a)
2. Three Kamanggabi figures from the Arambak people of the Sepik district (1960a)
3. Notes on Eastern Abelam designs painted on paper, New Guinea (1960b)
4. Paint, a magical substance (1962)
5. Art and environment in the Sepik (1965)
6. The Abelam artist (1967)
7. Style and meaning in Sepik Art (1973b)
8. The problem of meaning in art. Exploring the visual art of Oceania (1979)
9. Learning to see in New Guinea (1970)
10. The power of culture and the culture of power (1990)
11. Undated introduction to the proceedings from the second Wenner-Gren conference on Sepik Culture History 1986, Mijas, Spain.
Part 2: On Forge
12. Anthony Forge and Alfred Bühler: From Field Collecting to Friendship
Christian Kaufmann
13. Style and meaning: Abelam art through Yolngu eyes
Howard Morphy
14. Anthony Forge and Innovation: perspectives from Vanuatu
Lissant Bolton
15. The Problem of Agency in Art
Ludovic Coupaye
16. Looking back, Abelam art and some of Forge's theses from a 2015 perspective
Brigitta Hauser-Schäublin
17. Communicating with Anthony ForgeMichael O'Hanlon
Appendix: Forge's collections
Bibliography
Acknowledgements
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