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  • Produktbild: Interactive Narratives and Transmedia Storytelling
  • Produktbild: Interactive Narratives and Transmedia Storytelling

Interactive Narratives and Transmedia Storytelling Creating Immersive Stories Across New Media Platforms

232,99 €

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

09.03.2018

Verlag

Taylor & Francis

Seitenzahl

210

Maße (L/B/H)

23,5/15,7/1,6 cm

Gewicht

408 g

Sprache

Englisch

ISBN

978-1-138-63881-5

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

09.03.2018

Verlag

Taylor & Francis

Seitenzahl

210

Maße (L/B/H)

23,5/15,7/1,6 cm

Gewicht

408 g

Sprache

Englisch

ISBN

978-1-138-63881-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: [email protected]

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Die Leseprobe wird geladen.
  • Produktbild: Interactive Narratives and Transmedia Storytelling
  • Produktbild: Interactive Narratives and Transmedia Storytelling

  • Introduction

    • Who is this Book For?
    • Defining Interactive Narratives and Transmedia Stories
    • The Author
    • New Modes of Storytelling
    • A Summary of the Chapters
    • Commercial Imperative
    • The Command to Read
    • Lateral Thinking
    • Pitching your Idea
    • Developing an Ideas Book / Visual Diary

    Traditional Narrative Texts

    • Talking Pictures - Finding Narrative in Photography
    • Geometry in Photo Composition
    • Story Sequences in Stills
    • Pedro Meyer's The Illusion of Real Space
    • Navigating Linear Texts
    • Verisimilitude
    • Brechtian Realism
    • Aristotle's Poetics
    • Hogarth's A Rake's Progress
    • Baudelaire's l'Art mnemonique
    • Film Editing - Walter Murch
    • The Rule of Six
    • The 3rd Effect
    • Eisenstein's Diagrammatic Score
    • Precipitant Sounds
    • Embodied Sounds
    • Narrative Progression
    • Interpreting the Author's Intent
    • Narrative Reality versus Audience Reality
    • Text on Screen
    • Constructing a Storyline
    • Narrative Distance, Depth and Alignment
    • Bazin's Invisible Witness
    • Story Rhythm - the Haiku
    • Silent Era Techniques
    • Bonitzer on Hitchcock
    • The Macguffin
    • Zizek on Hitchcock

    Subjective Interpretation

    • Narrative Perspectives
    • Entgrenzung: The Dissolution of Perspectival Boundaries
    • Linguistic Flexibility: Blending Words into Chords
    • Narrative Deconstruction
    • The Loop: IF, THEN, GOTO
    • Cause and Effect
    • Relinquishing Authorial Control
    • Attentional Blink
    • Confabulation: Emotional Experiences Without Context
    • Evolving Language
    • Calvino: the Malleable Relationship between Reader and Narrator
    • Subjective Responses to Colour and Form
    • Active and Passive Colours
    • Emotional Responses to Colour
    • Digital and Analogue Colour Palette
    • Instinctual Responses to Geometric Forms
    • The Will-to-Art
    • Knowing Your Audience
    • Controlling the Narrative / Owning the Text
    • Kandinsky's Chain of Related Sensations

    Sound Design

    • Primal Responses to Sound
    • Classifying Harmonics in Terms of Emotional Response
    • Narrative Soundscapes
    • Affective Audio
    • Cueing-In Emotions
    • Separating Dialogue from Background Noise
    • Prosody and Syntax
    • Musical Motifs
    • Representations of Emotions
    • Universal 'Palette' of Sound
    • Memories of Feelings - the Limits of the Codification of Musical Forms
    • Anticipation and Resolution
    • Rhythmic Organisation and 'Percussive Barriers'
    • Psychological and Ontological Time
    • Musical Notation
    • Accidental Counterpoint
    • Communicating Emotion through Music
    • Syncopation
    • The Soundtrack
    • Cinematic Allusionism
    • Sound Elements of Film
    • Imitative-Denotative Instrumentation
    • Limitations of Visual and Dialogue
    • Leitmotif
    • Empathetic / Anempathetic Soundtracks

    Visual Montage

    • Montage: Juxtaposing Visual Elements
    • Affidavit-Exposition
    • Vertical Montage
    • Photo Montage: Hockney's Joiners
    • Burroughs's Literary Cut-Ups
    • The Lettrists
    • Brueghel's Micronarratives
    • Marker's La Jetée
    • Spatial Representation of Temporal Sequences
    • Multiple Narrative Perspectives On-Screen
    • Vertov's Kino-Eye

    Codifying Story Elements

    • Propp's Morphology of the Folktale
    • Narratology: How Narrative Structures Affect Our Perception
    • Narratology Terminology: Synecdoche, Contiguous, Metonym
    • Embedded Narratives: Fabula and Syuzhet
    • A Perspectival Approach to Narrative
    • Subjective Retroversion
    • The Photograph: A Message Without a Code
    • War Primer: Brecht's Photo-Epigrams
    • Talking Pictures: Photographic Stills and Audio Vignettes
    • Perec's 'Infra-Ordinary'
    • De Quincey's Record of Regency London
    • The Photograph: Flat Anthropological Fact
    • Brecht's Theory of Distanciation
    • Primacy of Lexis Over Plot
    • Visualisation of Large Data Sets
    • Metadata - Tagging Archived Content
    • The Photo Archive
    • Photogrammetry: Cyber-Archaeology
    • Trend-Identifying Algorithms
    • Netflix Quantum Theory
    • Authoring Multiple Narrative Trajectories
    • The Database
    • Hypernarrative
    • Extractive Hypertext and Immersive 3D
    • Associative Linkage
    • Genre Classification
    • The Cinematic Metaphor
    • Non-Traditional Film: Gordon's 'Temporal Deceleration'
    • Emergent Narratives
    • Triangulating Content

    Interactive Narratives

    • Textual Interaction
    • Char Davies - Osmose
    • Proprioception
    • Artist and Audience: Atherton's Interactive Discourse
    • Non-Linear Texts
    • Syncretic and Synaesthetic Language
    • The Disrupting Effect of Latency Within Simulated Stories
    • Interactive StoryTelling
    • Immersion in the Textual World
    • Visual Writing
    • Temporal Immersion
    • Backstory
    • Ergodic Texts
    • Constant Recontextualisation
    • Depth-First Exploration
    • Structures of Interactivity
    • Spatial and Emotional Immersion
    • The Greek Chorus
    • Audience Participation: Living Theatre
    • The Perspectivist Approach
    • The Freytag Triangle
    • Narrative Constraints
    • Joyce's Epiphany
    • The Language of Television
    • Impositional and Expressive Narratives
    • The Objective Correlative
    • Virtual Identities
    • Flat and Round Characters
    • VR Storytelling Techniques
    • Performative Gestures
    • Gesture Controlled Interfaces
    • Technology and Art
    • Hoey's The Weight of Water: Manufacturing Presence in VR
    • Mixed Storytelling: Fran Bow
    • Interactive Poetry: Dear Esther
    • Location-Based AR
    • The Narrative Architect
    • Experimental Narrative Riffs: Grammatron
    • Remediating Stories
    • Interactive Design: Twine

    The Business of Transmedia Storytelling

    • #FindTheGirl
    • Blast Theory - Ivy4EVR
    • Karen
    • Content Creation Departments - Going Viral
    • The Digital Newsroom - Transmedia and VR
    • Storytelling on Social Media Platforms
    • Data Analytics
    • Story Development Tools and Technologies
    • Augmented Reality
    • Recreating the Theatre Experience

    Conclusion

    Appendix 1 - Making The Little Extras

    • Towards a New Film Paradigm
    • Storytelling using Spatial Montage
    • The Spectator's Gaze
    • The Primacy of the Author
    • Abdicating Authorship
    • Deconstructive Cinema
    • The Function of Embedded Narratives
    • Learning New Modes of Interaction
    • Narrative Immersion
    • Foveal and Peripheral Vision
    • Altering Perspective
    • The Little Extras Sound Design
    • Interpreting and Re-Interpreting the Textual World
    • Storyboards and Animatics

    Appendix 2 - Digital Data Compression

    • Spatial and Temporal Compression - Exploiting Redundancy
    • Quantisation: Threshold Levels and Banding
    • Coding Compression
    • Frame Prediction: Keyframes and Checksum Values

    Bibliography

    Index