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Produktbild: Audio Culture, Revised Edition

Audio Culture, Revised Edition Readings in Modern Music

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

27.07.2017

Herausgeber

Christoph Cox + weitere

Verlag

Bloomsbury USA

Seitenzahl

664

Maße (L/B/H)

23,1/15,1/4,3 cm

Gewicht

938 g

Auflage

2. Auflage

Sprache

Englisch

ISBN

978-1-5013-1836-8

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

27.07.2017

Herausgeber

Verlag

Bloomsbury USA

Seitenzahl

664

Maße (L/B/H)

23,1/15,1/4,3 cm

Gewicht

938 g

Auflage

2. Auflage

Sprache

Englisch

ISBN

978-1-5013-1836-8

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Audio Culture, Revised Edition

  • Acknowledgments
    Introduction

    Part One: Theories

    I. Music and Its Others: Noise, Sound, Silence
    Introduction
    1. Jacques Attali, "Noise and Politics"
    2. Luigi Russolo, "The Art of Noises: Futurist Manifesto"
    3. Edgard Varèse, "The Liberation of Sound"
    4. Henry Cowell, "The Joys of Noise"
    5. John Cage, "The Future of Music: Credo"
    6. R. Murray Schafer, "The Music of the Environment"
    7. Anne Carson, "The Gender of Sound"
    8. Drew Daniel, "Queer Sound"
    9. Kevin Quashie, "The Quiet of Blackness: Miles Davis and John Coltrane"

    II. Modes of Listening
    Introduction
    10. Marshall McLuhan, "Visual and Acoustic Space"
    11. Pierre Schaeffer, "Acousmatics"
    12. Francisco Lopez, "Profound Listening and Environmental Sound Matter"
    13. Brian Eno, "Ambient Music"
    14. Pauline Oliveros, "Auralizing the Sonosphere"
    15. Maryanne Amacher, "Perceptual Geography: Third Ear Music and Structure Borne Sound"
    16. Evelyn Glennie, "Hearing Essay"
    17. Iain Chambers, "The Aural Walk"
    18. Annahid Kassabian, "Ubiquitous Listening"
    19. Lawrence Abu Hamdan, "Forensic Listening"
    20. Ultra-red, "Organizing the Silence"

    III. Music in the Age of Electronic Reproduction
    Introduction
    21. Glenn Gould, "The Prospects of Recording"
    22. Brian Eno, "The Studio as Compositional Tool"
    23. John Oswald, "Bettered by the Borrower: The Ethics of Musical Debt"
    24. Chris Cutler, "Plunderphonia"
    25. Kodwo Eshun, "Operating System for the Redesign of Sonic Reality"
    26. Kenneth Goldsmith, "Six File-Sharing Epiphanies"
    27. Tara Rodgers, "Cultivating Activist Lives in Sound"

    Part Two: Practices

    IV. The Open Work
    Introduction
    28. Umberto Eco, "Poetics of the Open Work"
    29. John Cage, "Composition as Process: Indeterminacy"
    30. Christoph Cox, "Every Sound You Can Imagine: On Graphic Scores"
    31. Earle Brown, "Transformations and Developments of a Radical Aesthetic"
    32. John Zorn, "The Game Pieces"
    33. Anthony Braxton, "Introduction to Catalog of Works"
    34. Lawrence "Butch" Morris, "Notes on Conduction"

    V. Experimental Musics
    Introduction
    35. Michael Nyman, "Towards (a Definition of) Experimental Music"
    36. John Cage, "Introduction to Themes & Variations"
    37. Brian Eno, "Generating and Organizing Variety in the Arts"
    38. Cornelius Cardew, Scratch Music Draft Constitution
    39. David Toop, "The Generation Game: Experimental Music and Digital Culture"
    40. Jennifer Walshe on "The New Discipline"
    41. Yan Jun, "Re-Invent: Experimental Music in China"

    VI. Improvised Musics
    Introduction
    42. Ornette Coleman, "Change of the Century"
    43. Wadada Leo Smith, "Notes (8 Pieces): Creative Music"
    44. Derek Bailey, "Free Improvisation"
    45. Frederic Rzewski, "Little Bangs: A Nihilist Theory of Improvisation"
    46. George E. Lewis, "Improvised Music After 1950: Afrological and Eurological Perspectives"
    47. Vijay Iyer, "Improvisation: Terms and Conditions"
    48. Mattin, "Going Fragile"
    49. Trio Sowari et al., "27 Questions For a Start . And Some Answers to Begin With"

    VII. Minimalisms
    Introduction
    50. Kyle Gann, "Thankless Attempts at a Definition of Minimalism"
    51. Wim Mertens, "Basic Concepts of Minimal Music"
    52. Steve Reich, "Music as a Gradual Process"
    53. La Monte Young and Marian Zazeela, "Conversation with Richard Kostelanetz"
    54. Tony Conrad, "LYssophobia: On Four Violins"
    55. Susan McClary, "Rap, Minimalism and Structures of Time in Late Twentieth-Century Culture"
    56. Philip Sherburne, "Draw a Straight Line and Follow It: Minimalism in Contemporary Electronic Dance Music"

    VIII. DJ Culture
    Introduction
    57. László Moholy-Nagy, "Production-Reproduction: Potentialities of the Phonograph"
    58. Situationist International, "Détournement as Negation and Prelude"
    59. William S. Burroughs, "The Invisible Generation"
    60. Paul D. Miller, "Algorithms: Erasures and the Art of Memory"
    61. David Toop, "Replicant: On Dub"
    62. Simon Reynolds, "Post-Rock"
    63. Marina Rosenfeld, "A Few Notes on Production and Playback"

    IX. Electronic Music and Electronica
    Introduction
    64. Jacques Barzun, "Introductory Remarks to a Program of Works Produced at the Columbia-Princeton Electronic Music Center"
    65. Karlheinz Stockhausen, "Electronic and Instrumental Music"
    66. Karlheinz Stockhausen et al., "Stockhausen vs. the Technocrats"
    67. Eliane Radigue, "The Mysterious Power of the Infinitesimal"
    68. Kim Cascone, "The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary Computer Music"
    69. Holly Herndon, "Laptop Intimacy and Platform Politics"

    Bibliography
    Chronology
    Discography
    Glossary
    Index of Quotations
    Index