Beschreibung
In Tourist Distractions Youngmin Choe uses hallyu (Korean-wave) cinema as a lens to examine the relationships among tourism and travel, economics, politics, and history in contemporary East Asia. Focusing on films born of transnational collaboration and its networks, Choe shows how the integration of the tourist imaginary into hallyu cinema points to the region's evolving transnational politics and the ways Korea negotiates its colonial and Cold War past with East Asia's neoliberal present. Hallyu cinema's popularity has inspired scores of international tourists to visit hallyu movie sets, filming sites, and theme parks. This tourism helps ease regional political differences; reimagine South Korea's relationships with North Korea, China, and Japan; and blur the lines between history, memory, affect, and consumerism. It also provides distractions from state-sponsored narratives and forges new emotional and economic bonds that foster community and cooperation throughout East Asia. By attending to the tourist imaginary at work in hallyu cinema, Choe helps us to better understand the complexities, anxieties, and tensions of East Asia's new affective economy as well as Korea's shifting culture industry, its relation to its past, and its role in a rapidly changing region.
Rezension
"Choe productively establishes a discussion that is relational rather than focused on bounded national contexts. She does terrific work in tying together solid and eminently useful historical context information and on-site research with close readings and more speculative, very insightful discussion. It is a balance that is difficult to achieve, but one that is especially rare in the study of popular culture from Korea." - Alexander Zahlten (Journal of Asian Studies) "Choe's work is highly readable, inspiring, and absorbing. Tourist Distractions also promises to be productive in the classroom. It will attract and distract hallyu fans in Korean studies and researchers with interests in tourism studies, visual and cultural anthropology, cultural studies, and film studies." - Barbara Wall (Social History) "Although an impressive amount of scholarship on Hallyu cinema has been published in the last decade, the transnational affect of Hallyu cinema through re-contextualizing it as audience emotions, tensions, and transnational self-reflections has not been the focus of critical attention. Tourist Distractions fills this void in Korean film studies with a persuasive voice by establishing the transnational linkages of Hallyu to Japan, China, and North Korea since the early inception of the Hallyu boom." - Yongwoo Lee (Pacific Affairs) "This is a multilayered and elegant model, albeit one still under construction, that certainly suggests a much more contextually rich way to interpret the significant works of the Korean Wave; for that contribution alone Choe's book should be considered a must-read." - Kyu Hyun Kim (Harvard Journal of Asiatic Studies) "Enriching the oeuvre of Korean film scholarship with its theoretical rigor, Tourist Distractions fills a critical gap in Hallyu studies by placing it in productive dialogue with Korean studies, tourism studies, film studies, cultural studies, and visual/cultural anthropology." - Haerin Shin (Journal of Korean Studies)
