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Produktbild: Imperial Projections
Band 17

Imperial Projections Screening the German Colonies

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Beschreibung

The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film industry,...

Beschreibung

The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film industry, films of the colonies were welcomed by organizations such as the Deutsche Kolonialgesellschaft (German Colonial Society). The films triggered patriotic feelings but also addressed the audience as travelers, explorers, wildlife protectionists, and participants in unique cultural events. This book is the first in-depth analysis of colonial filmmaking in the Wilhelmine Era.

Rezension

"One cannot rank the significance of Fuhrmann's book as a model of German film historiography highly enough. Not only does Imperial Projection offer the first convincing overall overview of a forgotten and suppressed chapter of German film history; the book makes also clear what a modern, methodologically innovative and empirically supported film historiography is capable of achieving." · H-Soz-Kult

"Woldgang Fuhrmann succeeds with this impressive overview of German colonial film, largely neglected in the scholarly literature, to present convincingly the interaction of individual protagonists with various institutions. The bibliography conveys the depth of his research that can be considered exemplary. This also applies to the filmography that will inspire future research. The few illustrations are well selected and expressive." · Filmblatt

"A handful of black-and-white photographs, notes, a bibliography and an index round out this thoughtful historical analysis, especially recommended for college library Theatre/Cinema and World History collections." · Midwest Book Review

"Imperial Projections is a pioneering exploration of the intersection of early film history, the study of popular visual culture, and German colonial history in the years before the First World War... By showing that colonial images could, and did, mean different things to different people, Imperial Projections offers a refreshing rethinking of monolithic terms such as 'the colonial gaze' or 'the imperialist imagination.'" · Christian Rogowski, Amherst College

"[This book] is of exceptional academic quality, impeccably researched, and presented with great thoroughness. It appears to me that it is the definitive work of research on early German colonial cinema to date, and probably destined to remain so." · Francis Gooding, Colonial Film: Moving Images of British Empire

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.05.2015

Abbildungen

Illustrationen, nicht spezifiziert

Verlag KNV Besorgung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.05.2015

Abbildungen

Illustrationen, nicht spezifiziert

Verlag KNV Besorgung
Seitenzahl

322

Maße (L/B/H)

23,5/15,7/2,2 cm

Gewicht

619 g

Sprache

Englisch

ISBN

978-1-78238-697-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Imperial Projections
  • List of Illustrations
    Acknowledgements
    Abbreviations

    Introduction

    PART I: THE BEGINNING OF COLONIAL FILM CULTURE IN IMPERIAL GERMANY

    Chapter 1. From the Variety Theatre to the German Colonial Society
    Chapter 2. Carl Müller: A Colonial Film Maker
    Chapter 3. The DKG's Film Shows: The Colonies in Motion

    PART II: ADDRESSING THE MASSES

    Chapter 4. The 'Hottentot Election' of 1907
    Chapter 5. The DKG's Kinematographenkampagne
    Chapter 6. Rise and Fall of the Kinemtographenkampagne

    PART III: ETHNOGRAPHIC FILMMAKING IN THE COLONIES

    Chapter 7. Karl Weule in German East Africa
    Chapter 8. The Expedition in Context: Modern German Ethnography
    Chapter 9. Filming in the Colonies: Training and Improvisation

    PART IV: TOURISM, ENTERTAINMENT, AND COLONIAL IDEOLOGY

    Chapter 10. Colonial Films in Public Cinema
    Chapter 11. The Colonial Travelogue
    Chapter 12. Colonial Films in Transition: Robert Schumann's Comeback

    PART V: COLONIAL FILM PROPAGANDA DURING THE FIRST WORLD WAR

    Chapter 13. Setting Up Colonial War Propaganda
    Chapter 14. The Deutsche Kolonial-Filmgesellschaft (DEUKO)

    Conclusion

    Filmography
    Bibliography
    Index