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Produktbild: Enlightening Encounters
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Enlightening Encounters Photography in Italian Literature

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

27.01.2015

Herausgeber

Giorgia Alu + weitere

Verlag

University of Toronto Press

Seitenzahl

320

Maße (L/B/H)

22,9/15,2/2,2 cm

Gewicht

654 g

Sprache

Englisch

ISBN

978-1-4426-4807-4

Beschreibung

Rezension

'A groundbreaking exploration of the impact of photography on Italian literary texts, published from mid-19th century onward... Essential.'

- C. De. Santi (Choice Magazine vol 53:01:2015)

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

27.01.2015

Herausgeber

Verlag

University of Toronto Press

Seitenzahl

320

Maße (L/B/H)

22,9/15,2/2,2 cm

Gewicht

654 g

Sprache

Englisch

ISBN

978-1-4426-4807-4

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Enlightening Encounters

  • Photo-Literary Encounters in Italy (Giorgia AlÙ and Nancy Pedri)

    Part One: The Lure of Photography

    1. Spectres of Photography: Photography, Literature, and the Social Sciences in Fin-de-SiÈcle Italy (Maria Grazia Lolla)

    2. Authoring Images: Italo Calvino, Gianni Celati, and Photography as Literary Art (Pasquale Verdicchio)

    3. Fossati’s and Messori’s Vision of Landscape in Viaggio in un paesaggio terrestre (Marina Spunta)

    Part Two: Photography Structuring Narrative

    4. The Fiction of Photography: Vittorio Imbriani’s Merope IV – Sogni e fantasie di Quattr’Asterischi (1867) (Sarah A. Carey)

    5. Narrated Photographs and the Collapse of Time and Space in Erri De Luca’s Non ora, non qui (Nancy Pedri)

    Part Three: Narrated Photographs and Photographs Narrating

    6. Photo-Poems: Visual Impact Strategies and Photo-Story in the Work of Mario Giacomelli and Luigi Crocenzi (Marco Andreani)

    7. What the Writer Saw (and the Camera Didn’t): Antonio Tabucchi’s Notturno indiano and Daniele Del Giudice’s Lo stadio di Wimbledon (Donata Panizza)

    8. Photographs Illustrating and Photographs Telling: Exercises in Reading Lalla Romano and Elio Vittorini (Epifanio Ajello)

    Part Four: Through the Lens

    9. Narrative Scopophilia as Seen through the Lens of a Photographic Camera: Intersemiotic Translation and Voyeurism in L’uomo che guarda (1985) (Mariarita Martino)

    10. Photography into the Limelight: Andrea De Carlo’s Treno di panna (Sarah Patricia Hill)

    11. Looking through Coloured Shards: Words and Images in Ornela Vorpsi’s Works (Giorgia AlÙ)

    Writing with Light: Concluding Remarks (Giorgia AlÙ And Nancy Pedri)