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Produktbild: Inside Track for Independent Filmmakers

Inside Track for Independent Filmmakers Get Your Movie Made, Get Your Movie Seen

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

07.01.2015

Verlag

Macmillan Learning

Seitenzahl

256

Maße (L/B/H)

20,8/13,9/1,5 cm

Gewicht

261 g

Auflage

1st ed. 2015

Sprache

Englisch

ISBN

978-1-319-01318-9

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

07.01.2015

Verlag

Macmillan Learning

Seitenzahl

256

Maße (L/B/H)

20,8/13,9/1,5 cm

Gewicht

261 g

Auflage

1st ed. 2015

Sprache

Englisch

ISBN

978-1-319-01318-9

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Inside Track for Independent Filmmakers

  • THE LANDSCAPE¿Don't Doubt Your Purpose
    A Short and Recent History of Indie Movies in America
    Who Will Be the New Miramax?
    The Eighth Studio
    What Money Means¿ GET YOUR MOVIE MADE
    I.¿Inside Track: Concept The core of your movie
    1. What's the Big Idea?
    2.¿High Concept
    3.¿The World
    4.¿The Title
    5.¿It's About a Guy Who . . .
    6.¿Can You Say it All in a Sentence?
    7.¿Log Lines That Worked
    8.¿What Does It Look Like?
    9.¿What's the Tagline?
    10.¿The Truth Test
    11.¿Make Your Truth Niche-Specific
    12.¿Concepts That Didn't Work
    13.¿Concepts That WorkedII.¿Inside Track: Comps Can your movie make money?
    14.¿What's a Comp?
    15.¿Budget Comps
    16.¿Rating Comps
    17.¿Language Comps
    18.¿Genre Comps
    19.¿Star Power Comps
    20.¿How to Find Comps
    21.¿How Many Comps Do You Need?
    22.¿How Recent Do Comps Need to Be?
    23.¿Now That You Have Your Comps
    24.¿How Financiers Use Comps
    25.¿How Financiers Recover Their Investments
    26.¿How Distributors Use Comps
    27.¿Examples of Comps in ActionIII.¿Inside Track: Script What's on screen can only be as good as what's on the page
    28.¿Why Script Matters
    29.¿How Should Your Script Look?
    30.¿How to Make Your Script Read Well
    31.¿Make It a Page-Turner
    32.¿Keep It Short
    33.¿Top 10 Screenwriter Mistakes
    34.¿Write to Sell to Investors
    35.¿Write for CastingIV.¿Inside Track: Casting Getting the right actors
    36.¿Why Casting Matters
    37.¿How Do You Get Stars?
    38.¿The Actor Dance
    39.¿The Pile-On Effect
    40.¿The Director Dance
    41.¿Casting Non-Stars
    42.¿Tactical Approaches
    43.¿Cast the Rest of Your Relationships
    V.¿Inside Track: Cost You need to know the numbers
    44.¿Budget Is for Amateurs, Cost Is for Professionals
    45.¿Make the Cost Rational
    46.¿Include Marketing and Distribution Costs
    47.¿Planning and Scouting
    48.¿Incentives, Rebates, and Credits
    49.¿Contingency
    50.¿Costs You Might Not Know About
    51.¿Pre-Selling Expenses
    52.¿Selling Expenses
    53.¿Assume You Will Need to Cover Everything
    54.¿Not All Money Is Equal
    55.¿Crowdfunding Is Double Money
    56.¿Crowdfunding: Be Prepared!
    57.¿Launching and Managing Your Crowdfunding Campaign
    58.¿Crowdfunding Doesn't End When the Campaign Does
    59.¿What Will You Have to Give Up to Get What You Want?
    60.¿The Myth of Final CutVI.¿Inside Track: Now You Make Your Movie The moment you've been waiting for
    61.¿This Is the Inside Track Where You Make and Finish Your Movie GET YOUR MOVIE SEENVII.¿Inside Track: Getting into Festivals When Your Movie's Ready Sundance and beyond
    62.¿Do Festivals Matter?
    63.¿Some Festivals Are More Than Festivals
    64.¿How You Get into a FestivalVIII.¿Inside Track: Selling at Festivals¿ Can you make a deal here?
    65.¿Leap into Action
    66.¿Get Your Materials Ready
    67.¿Get Your Rep
    68.¿Get Some Early Press
    69.¿But Don't Let People See It Yet
    70.¿Reach Out to Your Preferred Distributors
    71.¿Get Them to the Screening
    72.¿Get the Press There
    73.¿Follow ThroughIX.¿Inside Track: Selling Everywhere Else for Theatrical Distribution More places to make deals
    74.¿Most Sales Happen This Way
    75.¿Get a Representative If You Can
    76.¿If You Can't Get a Representative . . .
    77.¿You Have to See It with an Audience First
    78.¿If You Can't Get a Distributor to an Audience Screening
    79.¿Should You Show a Distributor an Unfinished Film?
    80.¿What to Show Potential Distributors
    81.¿Know How Much You NeedX.¿Inside Track: Selling for Non-Theatrical Distribution The screens that make the most money
    82.¿What's Non-Theatrical?
    83.¿Why Are You Doing This?
    84.¿Aggregators
    85.¿Materials
    86.¿Direct Submissions
    87.¿Know Your Windows
    88.¿Deliver to Their SpecsXI.¿Inside Track: Free Range Distribution The new frontier
    89.¿What Are Free Range Distribution Platforms, and How Do They Work?
    90.¿You Can Keep Your Rights
    91.¿What Rights Are There?
    92.¿Know Your Rights
    93.¿Integrate Everything
    94.¿Marketing Is Your Job
    95.¿Four-Walling
    96.¿What to Look for in a Free Range Distribution Platform
    97.¿What You'll Need
    98.¿What's Been Working
    99.¿What's Next for Free Range Distribution?

    ESSENTIAL RESOURCESDistribution Platforms Where You Sell or License Your Rights
    Free Range Distribution Platforms
    Directory of Sales Agents
    Best Information Sources
    Your Attitude Is Your Greatest Resource
    The Academy Award Speech I Hope You Make One Day

    INDEX