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Produktbild: History of Music Production

History of Music Production

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.07.2014

Verlag

Oxford University Press

Seitenzahl

262

Maße (L/B/H)

23,4/15,6/1,6 cm

Gewicht

363 g

Sprache

Englisch

ISBN

978-0-19-935717-8

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.07.2014

Verlag

Oxford University Press

Seitenzahl

262

Maße (L/B/H)

23,4/15,6/1,6 cm

Gewicht

363 g

Sprache

Englisch

ISBN

978-0-19-935717-8

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: History of Music Production

    • CONTENTS

    • PREFACE

    • INTRODUCTION

    • CHAPTER ONE

    • Beginnings:

    • Understanding Sound

    • Toward Recording

    • The Phonograph

    • The First Producers

    • CHAPTER TWO

    • The acoustic period:

    • Acoustic Recording

    • International Expansion

    • The Third Major Label

    • The Sooys

    • Documentation of Cultural Expression

    • The End of an Era

    • CHAPTER THREE

    • The Electric period:

    • Toward Electric Recording

    • Better Sound

    • Country Music

    • Further Technological Foundations

    • The Calm before the Storm

    • The Thirties and Forties

    • Radio, Film, and Tape Innovations

    • CHAPTER FOUR

    • Economic and Societal Overlay:

    • Cyclical Decline

    • One Thing after Another: The Thirties through the War

    • Recovery

    • CHAPTER FIVE

    • The Studio is Interactive

    • Toward Greater Control

    • Magnetic Tape Recording

    • Defining Some Terms

    • Mastering

    • Editing

    • Sound on Sound

    • Overdubbing

    • Summing up of Tape's Impact

    • The Microgroove LP

    • CHAPTER SIX

    • The Post World War II Reconstruction of the Recording Industry

    • After the War

    • The Boom in Independent Labels

    • The Fifties

    • Radio DJs

    • CHAPTER SEVEN

    • Mobile Music

    • More Music for More People

    • Music Anywhere: Radio on the Move

    • My Music on the Move

    • My Music Anywhere

    • CHAPTER EIGHT

    • Expanding the Palette

    • Electric Instruments and Amplifiers

    • Synthesizers

    • Genre Hybridization

    • CHAPTER NINE

    • Some Key Producers

    • The Objective

    • Review of Early Producers

    • Mitch Miller

    • Leiber and Stoller

    • Phil Spector

    • Sam Phillips

    • Steve Sholes

    • Norrie Paramor

    • Joe Meek

    • Brian Wilson

    • George Martin

    • Holland, Dozier and Holland

    • Teo Macero

    • King Tubby

    • Prince

    • Rick Rubin

    • Quincy Jones

    • Robert John "Mutt" Lange

    • Dr Dre

    • Max Martin

    • CHAPTER TEN

    • The Sixties and Seventies

    • Cultural and Creative Revolution

    • The Sixties

    • Mix Automation

    • The Seventies

    • CHAPTER ELEVEN

    • Toward the Digital Age

    • Digital Recording:

    • Hip Hop:

    • The State of the Eighties:

    • The Sound of the Eighties:

    • The Look of the Eighties:

    • Shiny Silver Discs:

    • Singles:

    • Mixing:

    • Dance Music:

    • Remixes:

    • Further Eighties Developments

    • Mergers and Acquisitions

    • The Internet and the World Wide Web

    • CHAPTER TWELVE

    • The Nineties

    • The Corporate State

    • The Charts and SoundScan

    • Alternative Rock

    • Toward Music Online

    • Progress with Digitized Data

    • Digital Radio

    • Millennials

    • Preparing the way for Napster

    • CHAPTER THIRTEEN

    • Periods of standards and stability

    • Proprietary versus Open Systems

    • Standards

    • CHAPTER FOURTEEN

    • Deconstructing the Studio

    • Democratizing Technologies

    • Improvised Environments

    • When is a Home not a Home?

    • Freedom

    • CHAPTER FIFTEEN

    • Random Access Recording Technology

    • Why Random Access?

    • The Beginnings of Random Access for Producers

    • Drum Machines, Next Generation Sequencers and MIDI

    • The Beginnings of Random Access Digital Recording

    • Convergence and Integration

    • CHAPTER SIXTEEN

    • Transformative/Disruptive Technologies and the Value of Music

    • Definitions of Terms

    • The Industry at the Turn of the 21st Century

    • Missed Opportunity

    • Oh wait.

    • No Big Surprises

    • What a Great Idea

    • What Happened to Vertical Integration?

    • An Idea Whose Time Had Come

    • Denial and Inaction

    • The Consequences

    • The Digital Disruption and Producer Income

    • Performance Royalties

    • Direct versus Statutory Licenses

    • CHAPTER SEVENTEEN

    • Post-Millennial Business Models

    • American Idol

    • Downloads

    • Streaming Audio

    • Non interactive streams

    • Streaming on demand

    • Web 2.0, Social Networking and Social Media

    • Commonalities

    • CHAPTER EIGHTEEN

    • The Unfinished Work

    • Sampling, Mash-ups and Remixes

    • Using Records as Raw Material

    • Disco

    • Hip hop

    • Adapting compositions

    • Adapting Recordings

    • The Question of Creativity

    • The Question of Legality

    • CONCLUSION

    • ABOUT THE AUTHOR