Merkzettel Warenkorb
Produktbild: A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful

A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful With an Introductory Discourse Concerning Taste; And Several Othe

64,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Lieferung nach Hause

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

15.11.2013

Verlag

Cambridge Academic

Seitenzahl

364

Maße (L/B/H)

21,6/14/2,1 cm

Gewicht

460 g

Sprache

Englisch

ISBN

978-1-108-06720-1

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

15.11.2013

Verlag

Cambridge Academic

Seitenzahl

364

Maße (L/B/H)

21,6/14/2,1 cm

Gewicht

460 g

Sprache

Englisch

ISBN

978-1-108-06720-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

Kundinnen und Kunden meinen

0 Bewertungen

Informationen zu Bewertungen

Zur Abgabe einer Bewertung ist eine Anmeldung im Konto notwendig. Die Authentizität der Bewertungen wird von uns nicht überprüft. Wir behalten uns vor, Bewertungstexte, die unseren Richtlinien widersprechen, entsprechend zu kürzen oder zu löschen.

Die Bewertungen sind nach Format, Anzahl Sterne und Datum sortiert.

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kund*innen durch Ihre Meinung

Kundinnen und Kunden meinen

0 Bewertungen filtern
Die Leseprobe wird geladen.
  • Produktbild: A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful
  • Preface; Introduction; Part I: 1. Novelty; 2. Pain and pleasure; 3. The difference between the removal of pain and positive pleasure; 4. Of delight and pleasure; 5. Joy and grief; 6. Of the passions which belong to self-preservation; 7. Of the sublime; 8. Of the passions which belong to society; 9. The final cause of the difference between the passions; 10. Of beauty; 11. Society and solitude; 12. Sympathy, imitation and ambition; 13. Sympathy; 14. The effects of sympathy in the distresses of others; 15. Of the effects of tragedy; 16. Imitation; 17. Ambition; 18. Recapitulation; 19. The conclusion; Part II: 1. Of the passion caused by the sublime; 2. Terror; 3. Obscurity; 4. Of the difference between clearness and obscurity; 5. Power; 6. Privation; 7. Vastness; 8. Infinity; 9. The fame; 10. Succession and uniformity; 11. The effect of uniformity in building; 12. Magnitude in building; 13. Infinity in pleasing objects; 14. Difficulty; 15. Magnificence; 16. Light; 17. Light in building; 18. Colour considered as productive of the sublime; [18.] Sound and loudness; 19. Suddenness; 20. Intermitting; 21. The cries of animals; 23. Smell and taste; 24. Feeling, pain; Part III: 1. Of beauty; 2. Proportion not the cause of beauty in vegetables; 3. Proportion not the cause of beauty in animals; 4. Proportion not the cause of beauty in the human species; 5. Proportion further considered; 6. Fitness not the cause of beauty; 7. The real effects of fitness; 8. The recapitulation; 9. Perfection not the cause of beauty; 10. How far the idea of beauty may be applied; 11. How far the ideas of beauty may be applied to virtue; 12. The real cause of beauty; 13. Beautiful objects small; 14. Smoothness; 15. Gradual variation; 16. Delicacy; 17. Beauty in colour; 18. Recapitulation; 19. The physiognomy; 20. The eye; 21. Ugliness; 22. Grace; 23. Elegance and speciousness; 24. The beautiful in feeling; 25. The beautiful in sounds; 26. Taste and smell; 27. The sublime and beautiful compared; Part IV: 1. Of the efficient cause of the sublime and beautiful; 2. Association; 3. Cause of pain and fear; 4. Continued; 5. How the sublime is produced; 6. How pain can be a cause of delight; 7. Exercise necessary for the finer organs; 8. Why things not dangerous sometimes produce a passion like terror; 9. Why visual subjects of great dimensions are sublime; 10. Unity why requisite to vastness; 11. The artificial infinite; 12. The vibrations must be similar; 13. The effects of succession in visual objects explained; 14. Locke's opinion concerning darkness considered; 15. Darkness terrible in its own nature; 16. Why darkness is terrible; 17. The effects of blackness; 18. The effects of blackness moderated; 19. The physical cause of love; 20. Why smoothness is beautiful; 21. Sweetness, its nature; 22. Sweetness relaxing; 23. Variation, why beautiful; 24. Concerning smallness; 25. Of colour; Part V: 1. Of words; 2. The common effect of poetry; 3. General words before ideas; 4. The effect of words; 5. Examples that words may affect without raising images; 6. Poetry not strictly an imitative art; 7. How words influence the passions.