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Produktbild: The Art of Music Production

The Art of Music Production The Theory and Practice

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

08.08.2019

Verlag

Glénat

Seitenzahl

344

Maße (L/B/H)

24/16,1/2,3 cm

Gewicht

624 g

Auflage

4. Auflage

Sprache

Englisch, Französisch

ISBN

978-0-19-992172-0

Beschreibung

Zitat

Praise for previous editions: "The most comprehensive guide to record production ever published." --BASCA News"Essential--this book will open your eyes to both possibilities and pitfalls." --BEAT Magazine"This book takes you through pretty much everything you need to know about the industry. So, a useful guide for anyone voluntarily plunging into this shark infested world." --Mail on Sunday

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

08.08.2019

Verlag

Glénat

Seitenzahl

344

Maße (L/B/H)

24/16,1/2,3 cm

Gewicht

624 g

Auflage

4. Auflage

Sprache

Englisch, Französisch

ISBN

978-0-19-992172-0

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Art of Music Production

    • CONTENTS

    • SECTION ONE: THE THEORY

    • CHAPTER ONE

    • Types of Music Producers

    • Functional Typologies

    • Artist

    • Auteur

    • Facilitative

    • Collaborative:

    • Enablative

    • Consultative

    • In Summation

    • Subset Typologies

    • Analogous Structures

    • Leadership Styles

    • SECTION TWO: THE PRACTICE

    • CHAPTER TWO

    • Becoming a Music Producer

    • How Do You Become a Music Producer?

    • The Musician or Artist

    • The Audio Engineer

    • The Songwriter

    • The DJ

    • DIY

    • Discoverer

    • Entrepreneur

    • Multipath

    • Examples of producers from these backgrounds:

    • Examples: musician

    • Examples: engineer

    • Examples: Songwriters

    • Example: DJ

    • Example: DIY

    • Examples: Discoverer

    • Examples: Entrepreneur

    • Examples: Multipath

    • Qualifications and Training

    • Are Qualifications Necessary?

    • What Is Helpful?

    • How Much Technical Knowledge Do You Need?

    • How Much Musical Knowledge Do You Need?

    • What If You Have Neither Musical Nor Technical Skills?

    • Making the Transition to Music Producer:

    • The Door Is Open, Your Foot Is In, Now What?

    • CHAPTER THREE

    • Being a Music Producer

    • The Day-to-Day Responsibilities and Process:

    • The First Meeting:

    • Administration

    • Preproduction

    • The Production Phase

    • The Mix

    • Other Perspectives

    • Some Session Specifics:

    • Recording Musicians Live In The Studio

    • Recording an Orchestra or Big Band

    • Overdubbing Live Musicians

    • The Programmed Session

    • Vocal Sessions

    • Which Method Makes a Better Record-Live, Overdubbed or Computer?

    • What Are 'They' Going To Expect Of You?

    • The Artist?

    • The Record Company?

    • The Artist's Manager?

    • CHAPTER FOUR

    • What Are the Timeless Ingredients in a Hit?

    • The Song (or Material)

    • The Vocal

    • The Arrangement

    • The Performance

    • The Engineering

    • How Important Is The Mix Really?

    • Timeliness

    • The Heart

    • Are These Rules To Which There Are Exceptions?

    • CHAPTER FIVE

    • What Can You Expect From a Career As A Producer?

    • How Is Your Health?

    • Why Do AandR People Hire You?

    • If You're Hot?

    • If You're Not Quite There Yet?

    • If You Were Recently Hot?

    • When The Night's Closing In?

    • What Prevents Them From Coming Back To You?

    • What Is The Best Way To Get Work?

    • Branding, Marketing and Sales?

    • Branding

    • Marketing

    • Sales

    • The Practicalities of Branding, Marketing and Sales

    • CHAPTER SIX

    • Managers

    • What is the Definition of the Term "Manager"?

    • What Does A Producer Manager Do?

    • What Does A Manager Cost

    • Do They Earn Their Percentage?

    • How Do You Avoid Getting Ripped Off By Your Manager?

    • Could You Lose Work To Other Producers On The Manager's Roster?

    • How Do You Define 'Best Manager' For You?

    • How Can You Find Such A Person?

    • How Do You Persuade Them To Take You On?

    • Business Managers

    • CHAPTER SEVEN

    • The Producer's Relationships

    • With the artist?

    • Best Friends?

    • Able To Fit In?

    • Hang After Hours?

    • Professional or Aloof?

    • How Do You Tell Them Something Is Not Working?

    • Where Does Your Responsibility Lie?

    • To The Artist

    • To The Record Company

    • To Yourself

    • To The Project

    • What About Drugs and Alcohol?

    • In the Studio?

    • Outside of Working Hours?

    • What if the Artist Does and You Do Not?

    • What Do You Do When The Artist Becomes Difficult?

    • What Do You Do When The Record Company is Unhappy?

    • What Do You Do When The Artist's Manager Is Difficult

    • CHAPTER EIGHT

    • Lawyers

    • What Changed to Make Hiring Attorney Less Viable For Producers

    • How Much Will They Cost You?

    • How Much Do You Really Need Them?

    • How Much Should You Depend On Them?

    • What Happens When They Get It Wrong?

    • What Other Kinds of Things Can Go Wrong?

    • What is a Typical Legal Process Leading Up to the Production?

    • What Can Be Done To Protect Producers?

    • CHAPTER NINE

    • Challenges and Controversies

    • Differences of Opinion

    • The Endless Album

    • Lack of Vision

    • Micro-Vision

    • The Singer Is Not Performing Well

    • The Musicians Are Not Performing Well

    • One of the Musicians Is Messing Up Every Take

    • What Is Demo-itis or Rough Mix-itis?

    • Near the End of the Album, Suddenly the Artist is Having Doubts

    • The AandR Person Does Not Like the Record

    • What Makes It Seem Like Hard Work?

    • How Much Loyalty Can You Expect Within The Business?

    • From The Artist

    • First Girlfriend Syndrome

    • From The AandR Person

    • Final Word on Loyalty

    • CHAPTER TEN

    • Success And Money

    • How Are Producers Paid?

    • How Much Can a Producer Make?

    • How Are Producer Royalties Calculated?

    • Recoupment

    • Payment From Record One

    • Where does the money come from?

    • Digital Download Royalties

    • Sound Recording Performance Royalties

    • Producers Who Also Write the Songs

    • Summation

    • How Many Producers Make Millions?

    • The Terms

    • Do Producers Earn Their Percentage?

    • Major versus Independent Labels

    • How will producers make money in the future?

    • Can You Increase Your Chances Of Success?

    • Credits

    • Executive Producer

    • Album Producer

    • Producer

    • Co-producer

    • Associate Producer

    • Additional Production By

    • Multiple Producer Credits

    • Vocal Production or Vocals Produced By

    • Compilation Soundtrack Album Producer

    • Strings (or any other instrument) Produced By

    • What Is The Secret To Longevity?

    • Add entrepreneur to your portfolio

    • CHAPTER ELEVEN

    • Why Are There So Few Women Producers?

    • What we know

    • Women Producers Today

    • Some Women Producers in History

    • Inconclusive Conclusion

    • CHAPTER TWELVE

    • Frequently Asked Questions

    • How Much Is Learned; How Much Is Natural Ability?

    • How Do You Pick The Right Project?

    • Should You Share in Song Writing Royalties?

    • New Versus Established Artists?

    • What Is Involved In Being An Independent Or Freelance Producer?

    • What About Being a Staff Producer?

    • What Are The Best Moments?

    • Can You Successfully Genre Hop?

    • Advantages And Disadvantages

    • Who Has Done It?

    • How Stable is a Producer's Career?

    • How does a production career end?

    • Making Plans And When?

    • What Do Producers Do When Work Starts to Slow Down?

    • Why Do People Want To Produce Records?

    • Why Do People Want To Make Records At All?

    • Do You Know When You Have Produced A Hit?

    • How Do Producers Feel About Remixers?

    • What's The Remixer's Point Of View?

    • How do AandR People View Remixes?

    • What Is The 'Sophomore Slump'?

    • Digital versus Analog

    • CHAPTER THIRTEEN

    • Working Outside The Mainstream?

    • Classical

    • Jazz

    • Country

    • Traditional, Folk, Roots And World Music

    • Children's Music

    • Regional Producers

    • CHAPTER FOURTEEN

    • Where Are We? How Did We Get Here? Where Are We Going?

    • Will Mobile Modify the Internet That Crippled Cable But Vivified Video Which Killed the Radio Star?

    • How Did We Get Here?

    • The Revolution Continues

    • What Does This Mean To The Professional Music Producer?

    • Where Are We Going?

    • Revenue Streams Are Multiplying

    • Will We Even Need Labels In The Future?

    • Charts

    • Marketing

    • Will Music Producers Survive The Revolution?

    • CHAPTER FIFTEEN

    • Conclusion

    • What If

    • The Final Cut

    • Glossary

    • Index

    • About the Author

    • Notes

    • Bibliography