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Ohb Contem Brit Irish Poet Ohbk C

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

26.09.2013

Herausgeber

Peter Robinson

Verlag

Oxford University Press

Seitenzahl

782

Maße (L/B/H)

25/17,5/4,6 cm

Gewicht

1506 g

Sprache

Englisch

ISBN

978-0-19-959680-5

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

26.09.2013

Herausgeber

Peter Robinson

Verlag

Oxford University Press

Seitenzahl

782

Maße (L/B/H)

25/17,5/4,6 cm

Gewicht

1506 g

Sprache

Englisch

ISBN

978-0-19-959680-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Ohb Contem Brit Irish Poet Ohbk C
  • Produktbild: Ohb Contem Brit Irish Poet Ohbk C

    • Introduction: The Limits and Openness of the Contemporary

    • I. Movements over Time

    • 1: Edward Larrissy: Modernist Survivors

    • 2: Michael O'Neill: The Thirties Bequest

    • 3: Leo Mellor: The Unburied Past: Walking with Ghosts of the 1940s

    • 4: William May: 'Obscure and Doubtful': Stevie Smith, F. T. Prince, and Legacy

    • 5: Martin Dodsworth: The Movement: Never and Always

    • 6: Jeremy Noel-Tod: 'In different voices': Modernism since the 1960s

    • 7: Helen Bailey: Two Poetries?: A Re-examination of the 'Poetry Divide' in 1970s Britain

    • 8: Deryn Rees-Jones: A Dog's Own Chance: The Evolution of Women's Poetry 1979-2010

    • 9: Richard Price: CAT-scanning the Little Magazine

    • 10: Matthew Sperling: Books and the Market: Trade Publishers, State Subsidies, and Small Presses

    • II. Senses of Form and Technique

    • 11: Jeffrey Wainwright: 'Space available': A Poet's Decisions

    • 12: Adam Piette: Contemporary Poetry and Close Reading

    • 13: Simon Dentith: . 'All livin language is sacred': Poetry and Varieties of English in these Islands

    • 14: Zoë Skoulding: Misremembered Lyric and Orphaned Music

    • 15: Conor Carville: 'The degree of power exercized': Recent Ekphrasis

    • 16: Sophie Mayer: Cinema Mon Amour: How British Poetry Fell in Love with Film

    • 17: Peter Carpenter: Singing Schools and Beyond: The Roles of Creative Writing

    • III. Poetry in Places

    • 18: Heather O'Donoghue: Historical and Archaeological: The Poetry of Recovery and Memory

    • 19: John Kerrigan: London, Albion

    • 20: Peter Middleton: The 'London Cut': Science and Language

    • 21: David Wheatley: 'Dafter than we care to own': Some Poets of the North

    • 22: John Redmond: Auden in Ireland

    • 23: Maria Johnston: 'Other Modes of Being': Nuala Ní Dhomhnaill and Translation

    • 24: Alice Entwistle: Writing [w]here: Gender and Cultural Positioning in Ireland and Wales

    • 25: Rod Mengham: The Altered Sublime: Raworth, Crozier, Prynne

    • IV. Border Crossings

    • 26: David Herd: Dislocating Country: Post-War English Poetry and the Politics of Movement

    • 27: Omaar Hena: Multi-ethnic British Poetries

    • 28: Stephen Romer: European Affinities

    • 29: Iain Galbraith: Scottish Poetry in the Wider World

    • 30: Romana Huk: The View from the U. S. A.

    • 31: Anna Smaill: Audience and Awkwardness: Personal Poetry in Britain and New Zealand

    • V. Responsibilities and Values

    • 32: Max de Gaynesforde: Speech Acts, Responsibility, and Commitment in Poetry

    • 33: Natalie Pollard: 'Is a chat with me your fancy?: Address in Contemporary British Poetry

    • 34: Peter Robinson: . 'There Again': Composition, Revision, and Repair

    • 35: Piers Pennington: Reparation, Atonement, and Redress

    • 36: Michael Symmons Roberts: Contemporary Poetry and Belief

    • 37: Andrea Brady: The Loneliness of the Long-Distance Poet

    • 38: Peter Robinson: Contemporary Poetry and Value