Produktbild: Synthesizer C

Synthesizer C A Comprehensive Guide to Understanding, Programming, Playing, and Recording the Ultimate Electronic Music Instrument

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.07.2014

Abbildungen

over 371 illustrations

Verlag

Oxford Academic

Seitenzahl

428

Maße (L/B/H)

28,6/22,1/2,7 cm

Gewicht

1245 g

Sprache

Englisch

ISBN

978-0-19-539481-8

Beschreibung

Zitat

Synthesizers are wonderful musical instruments that cover a very wide range of implementations and uses. Mark Vails The Synthesizer is a must-read for anyone who has interest in learning about these engineering marvels. It is a great introduction if you are new to synths, but also very informative and up-to-date for the seasoned synth player. Dave Smith, Dave Smith Instruments A hugely detailed, exhaustively researched and splendidly idiosyncratic work which nails its extensive subject matter. Mark Vail enthusiastically charts the development of the synthesizer from the Trautonium to the latest software instruments, and also gives us valuable insights and tips from leading electronic composers, including legendary synth pioneer Wendy Carlos. Dave Stewart, Keyboardist In the past few decades, the synthesizer has finally come of age. Mark Vail's extensive work documents this journey from its austere and rarified beginnings to its present technologically sophisticated state. His well-illustrated book is filled with anecdotes and insights, amazing successes and ridiculous flops, expert advice on how to roll your own, lots of commentary on artists, their gear and their methodology, and finally, a guide to recording and disseminating your own musical masterpieces. Stash this volume where its easy to get to; you'll be using it a lot. Don Buchla, Composer and Instrument Designer, Berkeley, California Mark Vail is the best explainer and historian of music synthesizers that I know. I highly recommend this book, which is a whole lot of fun to read. Roger Linn, Roger Linn Design

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.07.2014

Abbildungen

over 371 illustrations

Verlag

Oxford Academic

Seitenzahl

428

Maße (L/B/H)

28,6/22,1/2,7 cm

Gewicht

1245 g

Sprache

Englisch

ISBN

978-0-19-539481-8

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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Die Leseprobe wird geladen.
  • Produktbild: Synthesizer C
    • Foreword by Michelle Moog-Koussa

    • Preface

    • About the Companion Website

    • 1. Trendsetting All-Stars

    • 2. Acoustics and Synthesis Basics

    • Real-World Acoustics

    • Types of Synthesis

    • Audio Sources: Oscillators, Noise, and More

    • VCAs, Envelopes, and LFOs

    • Envelope Followers and Pitch-to-Voltage Converters

    • Filters

    • EQs and Filter Banks

    • Analog Sequencers

    • Arpeggiators

    • Reverb

    • Analog Delay

    • Digital Delay

    • Loopers

    • Other Effects

    • 3. Choosing Your Synthesizer(s)

    • What's Your Budget?

    • Musical Tastes and Goals

    • Hardware vs. Software

    • Portability and Power

    • Programmability: Pros and Cons

    • Expandability

    • As Others Have Done

    • Perspective

    • Modular Synthesizers in the 21st Century

    • An Overview

    • Modular Synth Shopping

    • More on Eurorack Modular

    • More on FracRak Modular

    • More on Serge Modular

    • Connectivity

    • Convincing Analog and MIDI Synths to Coexist

    • MIDI-to-CV Conversion

    • CV-to-MIDI Conversion

    • Controllers

    • Synths and Controllers with Keyboards

    • Alternative Controllers

    • Wind Controllers

    • Touch Controllers

    • Hand-Held Controllers

    • Struck Controllers

    • Controllers for Microtonal Tunings

    • 4. Composition, Programming, and Performance Techniques

    • Composition

    • Scoring to Picture

    • Composing for Living Art

    • Following Through on a Thought

    • Sage Advice from a Master

    • Scoring with Intent, Even When Intimidated

    • Patching, a.k.a. Programming

    • Encouraging Synthesists' Creativity

    • When and How to Experiment with Sounds

    • The Good and Bad of Non-Programmability

    • Programming for Progress

    • Fun with Modular Synths

    • Layering Synth Sounds

    • Programming for Expression

    • Performance

    • Tools of the Trade

    • Dependence on the Tried and True, but Moving Forward

    • Modular Apparitions

    • Defying the Dependence on Visuals

    • 5. Recording the Synthesizer

    • As It Was and How It's Become for the Switched-On Innovator

    • Serial vs. Random-Access Media

    • Strategies for Recording Film and TV Scores

    • Harnessing the Power of Modular Synths with Ableton Live

    • Automated Mixing

    • Outboard Processing: Preparing Audio for Recording

    • Recording Direct and Expanding for Surround-Sound

    • Appendix: Selected Bibliography, Museums and Films, Manufacturers, Blogs, Dealers and Stores

    • Index