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Produktbild: Oxford Handbook of Chinese Cinemas

Oxford Handbook of Chinese Cinemas

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

11.04.2013

Abbildungen

86 illustrations

Herausgeber

Rojas Carlos + weitere

Verlag

Oxford Academic

Seitenzahl

730

Maße (L/B/H)

25/17,5/4,3 cm

Gewicht

1270 g

Sprache

Englisch

ISBN

978-0-19-976560-7

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

11.04.2013

Abbildungen

86 illustrations

Herausgeber

Verlag

Oxford Academic

Seitenzahl

730

Maße (L/B/H)

25/17,5/4,3 cm

Gewicht

1270 g

Sprache

Englisch

ISBN

978-0-19-976560-7

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  • Produktbild: Oxford Handbook of Chinese Cinemas

    • HISTORY

    • 1) Jianhua Chen,

    • "D. W. Griffith and the Rise of Chinese Cinema in Early 1920s Shanghai"

    • 2) Kristine Harris,

    • "Ombres Chinoises: Split-Screens and Parallel Lives in Love and Duty"

    • 3) David Der-wei Wang,

    • "Fei Mu, Mei Lanfang, and the Polemics of Screening China"

    • 4) Jie Li,

    • "A National Cinema for a Puppet State: The Manchurian Motion Picture Association"

    • 5) Yomi Braester

    • "A Genealogy of Cinephilia in the Maoist Period"

    • 6) Poshek Fu

    • "Cold War Hong Kong and Mid-twentieth Century Mandarin Cinema"

    • 7) Tsungyi Michelle Huang

    • "Conceiving Cross-Border Communities: Mobile Women in Recent Hong Kong Cinema"

    • 8) Song Hwee Lim

    • "Taiwan New Cinema: Small Nation with Soft Power"

    • 9) Michael Berry

    • "Chinese Cinema with Hollywood Characteristics, or How The Karate Kid became a Chinese Film"

    • 10) Pheng Cheah,

    • "World as Picture and Ruination: On Jia Zhangke's Still Life as World Cinema"

    • FORM

    • 1) Stephen Teo,

    • "The Opera Film in Chinese Cinema: Cultural Nationalism and Cinematic Form"

    • 2) Emilie Yueh-yu Yeh,

    • "A Small History of Wenyi"

    • 3) Ban Wang,

    • "Art, Politics, and Internationalism: Korean War Films in Chinese Cinema"

    • 4) Gary Gang Xu,

    • "Edification through Affection: The Cultural Revolution Films, 1974-76"

    • 5) Michael Eng,

    • "Reforming Vengeance: Kung Fu and the Racial Melancholia of Chinese Masculinity"

    • 6) Sean Metzger

    • "Desire and Distribution: Queer/Chinese/Cinema"

    • 7) Yingjin Zhang,

    • "Thirdspace Between Flows and Places: Chinese Independent Documentary and Social Theories of Space and Locality"

    • 8) Ying Zhu,

    • "From Anticorruption to Officialdom: The Transformation of Chinese Dynasty TV Drama"

    • 9) Audrey Yue,

    • "New Media: Large Screens in China"

    • 10) Paola Voci,

    • "Online Small Screen Cinema: The Cinema of Attractions and the Emancipated Spectator"

    • STRUCTURE

    • 1) Jason McGrath

    • "Acting Real: Cinema, Stage, and the Modernity of Performance in Chinese Silent Film"

    • 2) James Tweedie,

    • "Edward Yang and Taiwan's Age of Auteurs"

    • 3) Darrell William Davis,

    • "A Marriage of Convenience: Musical Moments in Chinese Films"

    • 4) Zhiwei Xiao

    • "Policing Film in Early 20th Century China, 1905-1923"

    • 5) Laikwan Pang,

    • "Between Will and Negotiation: Film Policy in the First Three Years of People's Republic of China"

    • 6) Rey Chow,

    • "Fetish Power Unbound: A Small History of 'Woman' in Chinese Cinema"

    • 7) Louisa Schein,

    • "Ethnographic Representation Across Genres: The Culture Trope in Contemporary Mainland Media"

    • 6) Andy Rodhekohr,

    • "Conjuring the Masses: The Spectral / Spectacular Crowd in Chinese Film"

    • 9) Kwai-Cheung Lo,

    • "The Idea of Asia(nism) and Trans-Asian Productions"

    • 10) Eugene Wang,

    • "Film and Contemporary Chinese Art: Mediums and Remediation"

    • 11) Ying Qian,

    • "Crossing the Same River Twice: Documentary Re-enactment and the Founding of PRC Documentary Cinema"

    • 12) Yiman Wang,

    • "Remade in China: Chinese Cinema in the Age of Blockbuster"

    • 13) Carlos Rojas,

    • "Cinematic Encounters in Tsai Ming-liang's The River"