• Produktbild: Film, Art, New Media: Museum Without Walls?
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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

12.06.2012

Abbildungen

XXII, 358 p.

Herausgeber

Angela Dalle Vacche

Verlag

Palgrave Macmillan UK

Seitenzahl

358

Maße (L/B/H)

21,6/14/2,1 cm

Gewicht

564 g

Auflage

2012 edition

Sprache

Englisch

ISBN

978-0-230-27292-7

Beschreibung

Rezension

'A provocative interrogation of the multidimensional relations among the visual arts. Consistently lucid, informed and original, these essays reveal unexpected and hitherto unexplored aspects of modernity and visual culture that suggest fresh and creative ways of rethinking these phenomena. An outstanding collection.'


- Ronald Bogue, University of Georgia, USA


'The sixteen essays gathered in this volume offer stimulating perspectives on the cultural and media processes which have just led, since the early twentieth century to the present day, to such an alleged loss of the museum's walls.'


- Susana S. Martins, Journal of Curatorial Studies 2.2

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

12.06.2012

Abbildungen

XXII, 358 p.

Herausgeber

Angela Dalle Vacche

Verlag

Palgrave Macmillan UK

Seitenzahl

358

Maße (L/B/H)

21,6/14/2,1 cm

Gewicht

564 g

Auflage

2012 edition

Sprache

Englisch

ISBN

978-0-230-27292-7

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Film, Art, New Media: Museum Without Walls?
  • Produktbild: Film, Art, New Media: Museum Without Walls?
  • Foreword; B.Peucker Acknowledgments Note on Contributors Introduction; A.Dalle Vacche PART I: EARLY CINEMA The Artist's Studio: The Affair of Art and Film; L.Nead Cezanne and the Lumiere Brothers; A.Dalle Vacche The Medium is a Muscle: Abstraction in Early Film, Dance, Painting; N.Andrew PART II: FILM THEORY Vertov and the Line: Art, Socialization, Collaboration; J.MacKay Quoting Motion: The Frame, the Shot, and Digital Video; T.Lundemo Malraux, Benjamin, Bazin: A Triangle of Hope for Cinema; D.Andrew Poetic Density, Ontic Weight: Post-Photographic Depiction in Victor Erice's Dream of Light; S.Dixon PART III: VISUAL STUDIES, ART HISTORY, FILM Of the Face, in Reticence; N.Steimatsky Remapping the Rural: The Ideological Geographies of Strapaese; L.Pucci PART IV: PAINTERS AND FILMMAKERS Artistic Encounters: Jean-Marie Straub, Daniele Huillet, and Cezanne; S.Shafto Two-Way Mirror: Francis Bacon and the Deformation of Film; S.Felleman PART V: FILM, MUSEUM, NEW MEDIA A Disturbing Presence? Scenes from the History of Film in the Museum; I.Christie Elegy, Eulogy, and the Utopia of Restoration-Alexander Sokurov's Russian Ark; J.Szaniawski Museums as Laboratories of Change: the Case for the Moving Image; F.Penz Right Here...Right Now...Art Gone Live!; G.Hogben Index