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Produktbild: An Introduction to Nineteenth-Century Art

An Introduction to Nineteenth-Century Art Artists and the Challenge of Modernity

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Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

21.03.2011

Verlag

Taylor & Francis

Seitenzahl

436

Maße (L/B/H)

25,4/19,2/2,7 cm

Gewicht

1011 g

Sprache

Englisch

ISBN

978-0-415-78072-8

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

21.03.2011

Verlag

Taylor & Francis

Seitenzahl

436

Maße (L/B/H)

25,4/19,2/2,7 cm

Gewicht

1011 g

Sprache

Englisch

ISBN

978-0-415-78072-8

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: [email protected]

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Die Leseprobe wird geladen.
  • Produktbild: An Introduction to Nineteenth-Century Art
  • Acknowledgements
    Illustrations
    Introduction

    Chapter 1: A Time of Transition
    Social Critique
    Moral Reform
    Monarch as Model
    Era of Change
    Age of Discovery
    Grand Tour
    Antiquity Becomes Fashionable
    Neoclassical Style
    Calm Grandeur in Dante
    Conclusion

    Chapter 2: Classical Influences and Radical Transformations
    Neoclassicm in Britain
    Neoclassicism Becomes Popular
    The Elgin Marbles
    Homer Illustrations
    Political Instability in France
    D'Angiviller's Reform Program
    Roman Virtue
    Neoclassical Eroticism
    Neoclassical Sculpture
    Neoclassicism in Denmark and the German States
    Conclusion

    Chapter 3: Re-presenting Contemporary History
    Legitimizing Contemporary History
    Painting of Contemporary History in France
    Political Instability
    New Hero for a New Republic
    Equestrian Portraits: Rulers on Horseback
    Neoclassicism made Ridiculous
    Legitimizing Bonaparte
    Transgressive History Painting
    Representing Republican Values
    Establishing Museums
    Conclusion

    Chapter 4: Romanticism
    Origins and Characteristics
    Burke's Sublime
    Blake and the Imagination
    Nature Mysticism
    Goya: Ambiguity and Modernism
    Abnormal Mental States
    Sculpture
    Escape to the National Past: England
    Medievalism in France: Troubadour Style
    Medievalism in the German States
    The Nazarenes
    Conclusion

    Chapter 5: Shifting Focus: Art and the Natural World
    New Attitudes Toward Nature
    Academic Landscape Tradition
    Nature and the Sublime
    The Picturesque
    Turner: From Convention to Innovation
    Constable: Conservative Nostalgia
    Naturalism and Tourism
    Friedrich: Patriotism and Spirituality
    Feminization of Nature
    Hudson River School
    American West
    Conclusion

    Chapter 6: Colonialism, Imperialism, Orientalism
    Documenting Distant Lands and People
    Colonial Citizens
    Picturing Slavery
    Native Americans: Ideal or Foe?
    Orientalism Emerges
    Orient Imagined
    Delacroix's Orientalism
    Orientalist Sculpture
    International Exhibitions
    Conclusion

    Chapter 7: New Audiences, New Approaches
    Modernism, Urbanization, Instability
    Bourgeois Morality and the Separation of Spheres
    Biedermeier and the Emergence of Middle Class Culture
    Biedermeier Portraiture
    Biedermeier Cityscapes
    Biedermeier Peasant Painting
    Biedermeier Landscape
    Biedermeier History Painting
    Golden Age in Denmark
    Biedermeier in Russia
    Mid-Century America
    Victorian Painting
    Pre-Raphaelite Brotherhood
    Municipal Art Associations
    Conclusion

    Chapter 8: Photography as Fact and Fine Art"Invention" of Photography
    Documenting Current Events
    Social Reform
    Photography and Science
    Portraiture
    Landscape
    Travel
    Photography as a Fine Art
    Pictorialism and New Technologies
    Conclusion

    Chapter 9: Realism and the Urban Poor
    Contrasting Responses to 1848
    Urban Migration
    Social Unrest
    Alcoholism
    Female Suicide
    Middle Class Working Women
    Poor Working Women
    Prostitution
    Documenting Work
    Idealized Labor
    Oppressed Workers
    Reforming the Poor
    Conclusion

    Chapter 10: Imagined Communities: Views of Peasant Life
    Peasant Identity
    Peasant Imagery Before 1848
    Courbet's Burial: More than Just a Funeral
    Academically Acceptable Peasant Images
    Powerful Peasants: Heroic or Threatening?
    Pitiable Peasants
    Idealized Peasants
    Grim Realities
    Conclusion

    Chapter 11: Crisis in the Academy
    The Importance of Titles
    History Painting and Autobiography: Courbet
    The Situation of Women Artists
    Salon of 1863 and Salon des Refuses
    Salon of 1865
    Sculpture and Politics
    Foreign Artists in Paris
    Art Academies in Austria and the German States
    Menzel and Academic Realism
    World's Fairs
    Conclusion

    Chapter 12: Impressionism
    Truth
    Haussmannization
    New Paris
    Flâneurs and Boulevardiers
    Experimentation
    Old Paris
    Bourgeois Leisure
    Café Society
    Suburban Industry
    Suburban Leisure
    Natural and Acquired Identities
    Gare Saint Lazare
    Seaside Resorts
    Beaches, Bathing, and Hygiene
    Cézanne and Postimpressionism
    The Macchiaioli
    Conclusion

    Chapter 13: Symbolism
    Symbolist Precur