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  • Produktbild: The Marsh of Gold

The Marsh of Gold Pasternak's writings on Inspiration and Creation

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

22.02.2010

Verlag

Academic Studies Press

Seitenzahl

324

Maße (L/B/H)

23,4/15,6/1,8 cm

Gewicht

494 g

Sprache

Englisch

ISBN

978-1-936235-07-0

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

22.02.2010

Verlag

Academic Studies Press

Seitenzahl

324

Maße (L/B/H)

23,4/15,6/1,8 cm

Gewicht

494 g

Sprache

Englisch

ISBN

978-1-936235-07-0

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Marsh of Gold
  • Produktbild: The Marsh of Gold
  • Preface. Acknowledgments. Note on transliteration and dates. Abbreviations. A brief chronology. Note on Pasternak’s connections with literary groups. Introduction. I EARLY PROSE (1910–1919). Some Propositions. [Reliquimini]. Ordering a Drama. Heinrich von Kleist. On Asceticism in Culture. [On the Threshold of Inspiration]. Symbolism and Immortality [Synopsis of a lecture]. [End of a Decade]. The Black Goblet. Letters from Tula. Commentary on I (EARLY PROSE). “Some Propositions” (54). — “[Reliquimini]” and “Ordering a Drama” (56). — “[Reli quimini]” (56). — “Ordering a Drama” (58). — Note on names in the early fiction (60). — “Heinrich von Kleist. On Asceticism in Culture” (60). — “[On the Threshold of Inspira tion]” (63). — “Symbolism and Immortality” (63). — “[End of a Decade]” (67). — “The Black Goblet” (68). — “Letters from Tula” (70). — Other early fiction (72). II A SAFE-CONDUCT or “THE PRESERVATION CERTIFICATE” (1928–1931). Part One. Part Two. Part Three. Commentary on II (A SAFE-CONDUCT, OR THE PRESERVATION CERTIFICATE). The political moment (155). — Rilke (156). — Some patterns (157). — Part One, chapter six (158). — Part Two, chapter three (160). — Part Two, chapter seven (161). — Part Two, chapter seventeen (163). — Mayakovsky (165). — The title (167) III FIFTEEN POEMS (1912–1931). February. Spring. Marburg. About These Verses. Definition of Poetry. Definition of Creation. Let’s drop words. Inspiration. Here’s the Beginning. Slanted pictures. Poetry. To Anna Akhmatova. To Marina Tsvetaeva. Lovely woman. Again Chopin. Commentary on III (FIFTEEN POEMS). IV SPEECHES AND ARTICLES 1930s and 1940s. Speech at the First All-Union Congress of Soviet Writers (1934). Speech at the International Congress of Writers for the Defense of Culture (1935). Speech at the Third Plenum of the Board of the Union of Soviet Writers (1936). On Shakespeare. A New Collection of Work by Anna Akhmatova. Selected Works by Anna Akhmatova. Notes of a Translator. Paul-Marie Verlaine. Chopin. Remarks on Translations from Shakespeare. Commentary on IV (SPEECHES AND ARTICLES, 1930s and ‘40s). “Speech at the first all-union congress of Soviet writers” (246). — “Speech at the international congress of writers in defense of culture” (248). — “Speech at the third plenum of the board of the writers’ union” (249). — “Articles on Anna Akhmatova” (252). —“Articles on Translation and on Shakespeare” (252). — “Verlaine” (253). —“Chopin” (254). V. An Essay on Pasternak‘s Novel DOCTOR ZHIVAGO. 1. “A novel in prose”. 2. Writing poetry. 3. A merging of concepts. 4. “ . . . some moving entireness”. Notes. Selective bibliography. Index.