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Produktbild: Mimesis

Mimesis Culture-Art-Society

Aus der Reihe University of California Press

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

30.01.1996

Verlag

Ucal Pod

Seitenzahl

412

Maße (L/B/H)

22,9/15,2/2,4 cm

Gewicht

558 g

Übersetzt von

Don Reneau

Sprache

Englisch

ISBN

978-0-520-08459-9

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

30.01.1996

Verlag

Ucal Pod

Seitenzahl

412

Maße (L/B/H)

22,9/15,2/2,4 cm

Gewicht

558 g

Übersetzt von

Don Reneau

Sprache

Englisch

ISBN

978-0-520-08459-9

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: Mimesis
  • Acknowledgments
    Introduction

    1. Point of Departure
       On Auerbach's History of Mimesis
       Worldmaking and Social Pressure
       Literary and Social Mimesis
       
    Part I. Mimesis as Imitation, the Production
              of Appearances, and Fiction
    2. On the Origins of the Concept
    3. Imitation, Illusion, Image (Plato)
       Similarity, Imitation, Education
       Appearance and lllusion
       Images as Appearances with the Character
       of Similarity
    4. The Break in the History of Mimesis:
       The Use of Writing
       Oral Poetry
       Between Oral and Literate Culture
    5. Poetic Mimesis (Aristotle)

    Part II. Mimesis as lmitatio, the Expression of Power,
               and Literate Subjectivity
    6. Mimesis as lmitatio
    7. Poetics and Power in the Renaissance
    8. lntertextuality, Fragmentation, Desire:
       Erasmus, Montaigne, Shakespeare

    Part III. Mimesis as Enactment of the State
    9. The Conflict Over History: The Querelle des Anciens
        et des Modernes
        On the History of the Conflict
        Racine and Moliere
        Structural Results
    10. Mimesis as the Self-Representation of Political Power
          The Portrait of the King
          On the Dramatic Practice of French Classicism
          The Representation of Daily Life in Comedy
    11. Against Mimesis as Self-Representation
         The Critique of Self-Representation in Madame
         de Lafayette
         Negative Anthropology
         Two Attempts to Transcend Mimesis
       
    Part IV. From Imitation to the Constitution
             of the Creative Subject
    12. Problems in the Imitation of Nature
          in the Eighteenth Century
    13. Mimesis in the Theater of the Enlightenment
    14. Diderot's Paradox of Acting
    15. The Transformation of Mimesis in Lessing
          Lessing's Argument
    16. Self-Mimesis (Rousseau)
          Self-Formation
          Pedagogy and Seduction

    Part V. Mimesis as the Principle of Worldmaking
            in the Novel and Society
    17. The Mimetic Constitution of Social Reality
          Images of a Society
          Balzac's Illusions perdues 225
    18. "Mimetic Desire" in the Work of Girard
    19. Violence in Antiromantic Literature
         The Authorial I and Others
         The Relationships of I and Other in the Novel
         Language, Violence, and the Internal Perspective
    20. The Mimesis of Violence (Girard)

    Part VI. Mimesis as Entree to the World, Language,
                 and Writing
    21. Nonsensuous Similarity: On the
          Linguistic Anthropology of Benjamin
    22. Vital Experience (Adorno)
    23. The Between-Character of Mimesis (Derrida)

    Results

    Historical Positions of Mimesis
    The Dimensions of Mimesis

    Notes
    Bibliography
    Index