The Grandissimes - Cable, George Washington
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A prosperous New Orleans family, led by Honoré Grandissime, is faced with a moral and financial dilemma that could threaten the livelihood of future generations. The old guard is confronted by new thinkers, opposing their way of life and actively seeking change. Honoré Grandissime is the patriarch of a French Creole family consisting of a half-brother, who is mixed race, and an uncle who is white. When a young man named Joseph Frowenfeld visits the Grandissimes, his abolitionist views cause friction among the elders. The uncle sees slavery as a necessity that allows them to maintain a…mehr

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Produktbeschreibung
A prosperous New Orleans family, led by Honoré Grandissime, is faced with a moral and financial dilemma that could threaten the livelihood of future generations. The old guard is confronted by new thinkers, opposing their way of life and actively seeking change. Honoré Grandissime is the patriarch of a French Creole family consisting of a half-brother, who is mixed race, and an uncle who is white. When a young man named Joseph Frowenfeld visits the Grandissimes, his abolitionist views cause friction among the elders. The uncle sees slavery as a necessity that allows them to maintain a comfortable lifestyle. In the heightened political climate, this conflict forces personal relationships and alliances to come to ahead. The Grandissimes: A Story of Creole Life gives an authentic look at the complex history of the American South. It highlights the insidiousness of the caste system and its impact on mixed-race families. The author details its destructive nature and lasting impact. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Grandissimes: A Story of Creole Life is both modern and readable.
Autorenporträt
"I live in a small, southern town in Russia. I found my connection with the American South, and especially with New Orleans, through music, as this city is undoubtedly one of the most musical cities on the planet. Creole architecture and Spanish colonial architecture soon found me exploring the French Quarter, the heart of New Orleans. The simplicity and conciseness of the forms of the Creole cottages, as well as the pretentiousness of the cast-iron balconies of the Quarter and the carved beauty of the small shotguns, made it clear to me that this is the art I want to work on. I love to draw these buildings on paper, using various techniques, I enjoy making models of the mansions of the city; I like their shapes and elegance, as well as the taste and love with which their residents treat their homes. New Orleans is like a separate small world that is remote from the rest of the country and lives according to its own traditions. Even now, after so many years, local people deeply respect their history and culture, trying to preserve it in its original form. This is how it looks to me. And I love it." -- Valerie Khodakovskaya