Stuart Sillars is Emeritus Professor of English Literature at the Universitetet i Bergen, Norway, and the author of several books and many articles on the relations between word and image, including four previous volumes on Shakespeare and visual art published by Cambridge University Press.
Inhaltsangabe
1. Frames and circumstances Part I. Structures and Concepts in Shakespeare Imaging: 2. Mechanism and meaning in illustrated editions 3. Performance reading in practice 4. Shakespeare painting and aesthetic identity Part II. Image, Stage and Beyond: Instances and Movement: 5. The visual identities of The Comedy of Errors 6. Text, image and temper in King Lear 7. Rhythms of action and feeling: the Roman plays 8. Rank and race in imaging Othello 9. The Merchant of Venice and English visual culture 10. Shakespeare painting 1800-1848 11. Conclusions and departures.
1. Frames and circumstances Part I. Structures and Concepts in Shakespeare Imaging: 2. Mechanism and meaning in illustrated editions 3. Performance reading in practice 4. Shakespeare painting and aesthetic identity Part II. Image, Stage and Beyond: Instances and Movement: 5. The visual identities of The Comedy of Errors 6. Text, image and temper in King Lear 7. Rhythms of action and feeling: the Roman plays 8. Rank and race in imaging Othello 9. The Merchant of Venice and English visual culture 10. Shakespeare painting 1800-1848 11. Conclusions and departures.
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