American Twilight
The Cinema of Tobe Hooper
Herausgeber: Woofter, Kristopher; Dodson, Will
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American Twilight
The Cinema of Tobe Hooper
Herausgeber: Woofter, Kristopher; Dodson, Will
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A master of gritty horror, Tobe Hooper captured on-screen an America in constant crisis and upended myths of prosperity to reveal the country's internal decay.
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A master of gritty horror, Tobe Hooper captured on-screen an America in constant crisis and upended myths of prosperity to reveal the country's internal decay.
Produktdetails
- Produktdetails
- Verlag: University of Texas Press
- Seitenzahl: 312
- Erscheinungstermin: 1. Juni 2021
- Englisch
- Abmessung: 233mm x 158mm x 34mm
- Gewicht: 616g
- ISBN-13: 9781477322833
- ISBN-10: 1477322833
- Artikelnr.: 60606855
- Verlag: University of Texas Press
- Seitenzahl: 312
- Erscheinungstermin: 1. Juni 2021
- Englisch
- Abmessung: 233mm x 158mm x 34mm
- Gewicht: 616g
- ISBN-13: 9781477322833
- ISBN-10: 1477322833
- Artikelnr.: 60606855
By Kristopher Woofter and Will Dodson
1. Acknowledgments
2. Introduction. “No Pleasure in Killing”: The Cinema of Tobe Hooper
(Kristopher Woofter and Will Dodson)
3. Part I. Hooper’s Gothic
* Chapter 1. “It’s Better to Be Suggestive:” Gothic Intertextuality and
Hybridity in the 1980s Films of Tobe Hooper (Brigid Cherry)
* Chapter 2. Poltergeist: TV People and Suburban Rage Monsters (Joan
Hawkins)
* Chapter 3. Tobe Hooper’s Teenage Wasteland: Youth and Disillusionment
in The Funhouse, Invaders from Mars, and Mortuary (Kristopher
Woofter)
* Chapter 4. Salem’s Lot: Tobe Hooper’s Gothic Peyton Place (Tony
Williams)
* Chapter 5. Feeding the Industrial Monster: A Critical Reconsideration
of Tobe Hooper’s The Mangler (Carl H. Sederholm)
* Chapter 6. Unsettled Architecture and Avant-Garde Strategies in Tobe
Hooper’s Down Friday Street, Toolbox Murders, and Djinn (Anne Golden
and Kristopher Woofter)
4. Part II. Embodiment
* Chapter 7. Nightmare Images: Tobe Hooper on Horror and Aging (Adam
Lowenstein)
* Chapter 8. Experimental Sorcery in Tobe Hooper’s Eggshells (Mario
DeGiglio-Bellemare)
* Chapter 9. Lizard Brain Ouroboros: Human Antiexceptionalism in Tobe
Hooper’s Eaten Alive and Crocodile (Mike Thorn)
* Chapter 10. “Sex or the Saw, Boy, What’s It Gonna Be?”: Tobe Hooper’s
Anxious Men (Will Dodson)
* Chapter 11. Bad Touches: Spontaneous Combustion in the Aftermath of
the Nuclear Family (Alanna Thain)
5. Part III. Production and Industry
* Chapter 12. Can(n)onical Hooper: A Reconsideration of Tobe Hooper’s
Golan-Globus Films (Ian Olney)
* Chapter 13. Hooper’s Hollywood: Investigating Occult Spaces in
Toolbox Murders (2004) (Nina K. Martin)
* Chapter 14. Songs in the Key of Death: Tobe Hooper’s “Dancing with
Myself” and “Dance of the Dead” (Jerry D. Metz)
* Chapter 15. The Past Infects the Present: Abjection and Identity in
Tobe Hooper's 1990s TV and Video Productions (John Taylor)
* Chapter 16. “Get Back to Work!”: Critiquing the Hollywood-Industrial
Complex in The Mangler (Clayton Dillard)
6. Part IV. The American Twilight
* Chapter 17. The Texas Chain Saw Massacre Begins (J. Shea and Ned
Schantz)
* Chapter 18. Tobe Hooper and the American Twilight (Christopher
Sharrett)
7. Appendix: Cross-Referenced Tobe Hooper Filmography
8. References
9. List of Contributors
10. Index
2. Introduction. “No Pleasure in Killing”: The Cinema of Tobe Hooper
(Kristopher Woofter and Will Dodson)
3. Part I. Hooper’s Gothic
* Chapter 1. “It’s Better to Be Suggestive:” Gothic Intertextuality and
Hybridity in the 1980s Films of Tobe Hooper (Brigid Cherry)
* Chapter 2. Poltergeist: TV People and Suburban Rage Monsters (Joan
Hawkins)
* Chapter 3. Tobe Hooper’s Teenage Wasteland: Youth and Disillusionment
in The Funhouse, Invaders from Mars, and Mortuary (Kristopher
Woofter)
* Chapter 4. Salem’s Lot: Tobe Hooper’s Gothic Peyton Place (Tony
Williams)
* Chapter 5. Feeding the Industrial Monster: A Critical Reconsideration
of Tobe Hooper’s The Mangler (Carl H. Sederholm)
* Chapter 6. Unsettled Architecture and Avant-Garde Strategies in Tobe
Hooper’s Down Friday Street, Toolbox Murders, and Djinn (Anne Golden
and Kristopher Woofter)
4. Part II. Embodiment
* Chapter 7. Nightmare Images: Tobe Hooper on Horror and Aging (Adam
Lowenstein)
* Chapter 8. Experimental Sorcery in Tobe Hooper’s Eggshells (Mario
DeGiglio-Bellemare)
* Chapter 9. Lizard Brain Ouroboros: Human Antiexceptionalism in Tobe
Hooper’s Eaten Alive and Crocodile (Mike Thorn)
* Chapter 10. “Sex or the Saw, Boy, What’s It Gonna Be?”: Tobe Hooper’s
Anxious Men (Will Dodson)
* Chapter 11. Bad Touches: Spontaneous Combustion in the Aftermath of
the Nuclear Family (Alanna Thain)
5. Part III. Production and Industry
* Chapter 12. Can(n)onical Hooper: A Reconsideration of Tobe Hooper’s
Golan-Globus Films (Ian Olney)
* Chapter 13. Hooper’s Hollywood: Investigating Occult Spaces in
Toolbox Murders (2004) (Nina K. Martin)
* Chapter 14. Songs in the Key of Death: Tobe Hooper’s “Dancing with
Myself” and “Dance of the Dead” (Jerry D. Metz)
* Chapter 15. The Past Infects the Present: Abjection and Identity in
Tobe Hooper's 1990s TV and Video Productions (John Taylor)
* Chapter 16. “Get Back to Work!”: Critiquing the Hollywood-Industrial
Complex in The Mangler (Clayton Dillard)
6. Part IV. The American Twilight
* Chapter 17. The Texas Chain Saw Massacre Begins (J. Shea and Ned
Schantz)
* Chapter 18. Tobe Hooper and the American Twilight (Christopher
Sharrett)
7. Appendix: Cross-Referenced Tobe Hooper Filmography
8. References
9. List of Contributors
10. Index
1. Acknowledgments
2. Introduction. “No Pleasure in Killing”: The Cinema of Tobe Hooper
(Kristopher Woofter and Will Dodson)
3. Part I. Hooper’s Gothic
* Chapter 1. “It’s Better to Be Suggestive:” Gothic Intertextuality and
Hybridity in the 1980s Films of Tobe Hooper (Brigid Cherry)
* Chapter 2. Poltergeist: TV People and Suburban Rage Monsters (Joan
Hawkins)
* Chapter 3. Tobe Hooper’s Teenage Wasteland: Youth and Disillusionment
in The Funhouse, Invaders from Mars, and Mortuary (Kristopher
Woofter)
* Chapter 4. Salem’s Lot: Tobe Hooper’s Gothic Peyton Place (Tony
Williams)
* Chapter 5. Feeding the Industrial Monster: A Critical Reconsideration
of Tobe Hooper’s The Mangler (Carl H. Sederholm)
* Chapter 6. Unsettled Architecture and Avant-Garde Strategies in Tobe
Hooper’s Down Friday Street, Toolbox Murders, and Djinn (Anne Golden
and Kristopher Woofter)
4. Part II. Embodiment
* Chapter 7. Nightmare Images: Tobe Hooper on Horror and Aging (Adam
Lowenstein)
* Chapter 8. Experimental Sorcery in Tobe Hooper’s Eggshells (Mario
DeGiglio-Bellemare)
* Chapter 9. Lizard Brain Ouroboros: Human Antiexceptionalism in Tobe
Hooper’s Eaten Alive and Crocodile (Mike Thorn)
* Chapter 10. “Sex or the Saw, Boy, What’s It Gonna Be?”: Tobe Hooper’s
Anxious Men (Will Dodson)
* Chapter 11. Bad Touches: Spontaneous Combustion in the Aftermath of
the Nuclear Family (Alanna Thain)
5. Part III. Production and Industry
* Chapter 12. Can(n)onical Hooper: A Reconsideration of Tobe Hooper’s
Golan-Globus Films (Ian Olney)
* Chapter 13. Hooper’s Hollywood: Investigating Occult Spaces in
Toolbox Murders (2004) (Nina K. Martin)
* Chapter 14. Songs in the Key of Death: Tobe Hooper’s “Dancing with
Myself” and “Dance of the Dead” (Jerry D. Metz)
* Chapter 15. The Past Infects the Present: Abjection and Identity in
Tobe Hooper's 1990s TV and Video Productions (John Taylor)
* Chapter 16. “Get Back to Work!”: Critiquing the Hollywood-Industrial
Complex in The Mangler (Clayton Dillard)
6. Part IV. The American Twilight
* Chapter 17. The Texas Chain Saw Massacre Begins (J. Shea and Ned
Schantz)
* Chapter 18. Tobe Hooper and the American Twilight (Christopher
Sharrett)
7. Appendix: Cross-Referenced Tobe Hooper Filmography
8. References
9. List of Contributors
10. Index
2. Introduction. “No Pleasure in Killing”: The Cinema of Tobe Hooper
(Kristopher Woofter and Will Dodson)
3. Part I. Hooper’s Gothic
* Chapter 1. “It’s Better to Be Suggestive:” Gothic Intertextuality and
Hybridity in the 1980s Films of Tobe Hooper (Brigid Cherry)
* Chapter 2. Poltergeist: TV People and Suburban Rage Monsters (Joan
Hawkins)
* Chapter 3. Tobe Hooper’s Teenage Wasteland: Youth and Disillusionment
in The Funhouse, Invaders from Mars, and Mortuary (Kristopher
Woofter)
* Chapter 4. Salem’s Lot: Tobe Hooper’s Gothic Peyton Place (Tony
Williams)
* Chapter 5. Feeding the Industrial Monster: A Critical Reconsideration
of Tobe Hooper’s The Mangler (Carl H. Sederholm)
* Chapter 6. Unsettled Architecture and Avant-Garde Strategies in Tobe
Hooper’s Down Friday Street, Toolbox Murders, and Djinn (Anne Golden
and Kristopher Woofter)
4. Part II. Embodiment
* Chapter 7. Nightmare Images: Tobe Hooper on Horror and Aging (Adam
Lowenstein)
* Chapter 8. Experimental Sorcery in Tobe Hooper’s Eggshells (Mario
DeGiglio-Bellemare)
* Chapter 9. Lizard Brain Ouroboros: Human Antiexceptionalism in Tobe
Hooper’s Eaten Alive and Crocodile (Mike Thorn)
* Chapter 10. “Sex or the Saw, Boy, What’s It Gonna Be?”: Tobe Hooper’s
Anxious Men (Will Dodson)
* Chapter 11. Bad Touches: Spontaneous Combustion in the Aftermath of
the Nuclear Family (Alanna Thain)
5. Part III. Production and Industry
* Chapter 12. Can(n)onical Hooper: A Reconsideration of Tobe Hooper’s
Golan-Globus Films (Ian Olney)
* Chapter 13. Hooper’s Hollywood: Investigating Occult Spaces in
Toolbox Murders (2004) (Nina K. Martin)
* Chapter 14. Songs in the Key of Death: Tobe Hooper’s “Dancing with
Myself” and “Dance of the Dead” (Jerry D. Metz)
* Chapter 15. The Past Infects the Present: Abjection and Identity in
Tobe Hooper's 1990s TV and Video Productions (John Taylor)
* Chapter 16. “Get Back to Work!”: Critiquing the Hollywood-Industrial
Complex in The Mangler (Clayton Dillard)
6. Part IV. The American Twilight
* Chapter 17. The Texas Chain Saw Massacre Begins (J. Shea and Ned
Schantz)
* Chapter 18. Tobe Hooper and the American Twilight (Christopher
Sharrett)
7. Appendix: Cross-Referenced Tobe Hooper Filmography
8. References
9. List of Contributors
10. Index