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August Strindberg's 'Married' is a gripping novel that delves deep into the complexities of marriage and relationships in 19th-century Sweden. Through a narrative filled with intense emotions, societal pressures, and psychological turmoil, Strindberg explores the power dynamics and struggles within a marriage. The book is characterized by its raw and honest portrayal of human nature, making it a compelling read for those interested in psychological realism and domestic dramas. The author's use of vivid descriptions and internal monologues adds depth to the characters and their inner conflicts,…mehr

Produktbeschreibung
August Strindberg's 'Married' is a gripping novel that delves deep into the complexities of marriage and relationships in 19th-century Sweden. Through a narrative filled with intense emotions, societal pressures, and psychological turmoil, Strindberg explores the power dynamics and struggles within a marriage. The book is characterized by its raw and honest portrayal of human nature, making it a compelling read for those interested in psychological realism and domestic dramas. The author's use of vivid descriptions and internal monologues adds depth to the characters and their inner conflicts, leading to a thought-provoking exploration of love and betrayal. 'Married' stands out as a timeless classic that continues to resonate with readers today for its insightful commentary on the intricacies of married life. August Strindberg's own tumultuous personal life and experiences with failed relationships undoubtedly influenced the raw and provocative themes present in 'Married'. His deep understanding of human behavior and emotions shines through in this novel, making it a powerful reflection of his own struggles and observations. I highly recommend 'Married' to readers who appreciate nuanced character studies and profound reflections on the complexities of marriage and relationships.

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Autorenporträt
Johan August Strindberg was a Swedish dramatist, novelist, poet, essayist, and painter. During his four-decade career, Strindberg created more than sixty plays and over thirty books of fiction, autobiography, history, cultural analysis, and politics, frequently drawing directly on his own experiences. He was a daring innovator and iconoclast who experimented with a variety of dramatic methods and objectives, including naturalistic tragedy, monodrama, and history plays, as well as his foreshadowing of expressionist and surrealist theatrical tactics. Strindberg pioneered new approaches to dramatic action, vocabulary, and visual composition beginning with his early work. In 1872, the Royal Theatre rejected his first major play, Master Olof; it was not until 1881, at the age of thirty-two, that its premiere at the New Theatre provided him with his theatrical breakthrough. In his plays The Father (1887), Miss Julie (1888), and Creditors (1889), he created naturalistic dramas that - building on the established accomplishments of Henrik Ibsen's prose problem plays while rejecting their use of the structure of the well-made play - responded to Emile Zola's manifesto "Naturalism in the Theatre" (1881) and the example set by André Antoine's newly established Théâtre Libre (opened 1887).