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Rethinking Photography is an accessible and illuminating critical introduction to the practice and interpretation of photography today. The textbook features chapters on key topics including early photography, the rise of photography theory, and photography and language, alongside case studies on photographic practices including snapshot and portable box cameras, digital cultures, and computer-generated imagery. Also included are critical summaries of current theoretical studies in the field, displaying how critical theory has been mapped on to working practices of photographers, and in-depth…mehr

Produktbeschreibung
Rethinking Photography is an accessible and illuminating critical introduction to the practice and interpretation of photography today. The textbook features chapters on key topics including early photography, the rise of photography theory, and photography and language, alongside case studies on photographic practices including snapshot and portable box cameras, digital cultures, and computer-generated imagery. Also included are critical summaries of current theoretical studies in the field, displaying how critical theory has been mapped on to working practices of photographers, and in-depth profiles of key photographers and theorists and studies of their professional practices.


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Autorenporträt
Peter Smith is a writer and lecturer with over 30 years of experience in teaching Art History and Cultural Theory. He has written articles and reviews for many journals including The Oxford Art Journal and Kunst und Politik. Recent publications include chapters in books including As Radical as Reality itself: Essays on Marxism for the 21st Century (2007) and Renew Marxist Art History (2013). He is currently a teaching at the University of West London where he was course leader for an M.A. in Photography.

Carolyn Lefley is Lecturer in Photography at the University of Hertfordshire and a photographic artist. Her research interests include photography and expanded media: moving image, mobile photography and computer generated imagery. Her photographic practice explores notions of home, belonging and folklore.