Oscar Wilde and Classical Antiquity (eBook, PDF)

Redaktion: Riley, Kathleen; Manny, Iarla; Blanshard, Alastair J. L.

• Format: PDF

Produktbeschreibung

Few authors of the Victorian period were as immersed in classical learning as Oscar Wilde. Although famous now and during his lifetime as a wit, aesthete, and master epigrammist, Wilde distinguished himself early on as a talented classical scholar, studying at Trinity College Dublin and Oxford and winning academic prizes and distinctions at both institutions. His undergraduate notebooks as well as his essays and articles on ancient topics reveal a mind engrossed in problems in classical scholarship and fascinated by the relationship between ancient and modern thought. His first publications were English translations of classical texts and even after he had 'left Parnassus for Piccadilly' antiquity continued to provide him with a critical vocabulary in which he could express himself and his aestheticism, and a compelling set of narratives to fire his artist's imagination. His debt to Greece and Rome is evident throughout his writings, from the sparkling wit of society plays like The Importance of Being Earnest to the extraordinary meditation on suffering that is De Profundis, written during his incarceration in Reading Gaol. Oscar Wilde and Classical Antiquity brings together scholars from across the disciplines of classics, English literature, theatre and performance studies, and the history of ideas to explore the varied and profound impact that Graeco-Roman antiquity had on Wilde's life and work. This wide-ranging collection covers all the major genres of his literary output; it includes new perspectives on his most celebrated and canonical texts and close analyses of unpublished material, revealing as never before the enduring breadth and depth of his love affair with the classics.

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Produktdetails

• Verlag: Oxford University Press
• Seitenzahl: 376
• Erscheinungstermin: 17. November 2017
• Englisch
• ISBN-13: 9780192506245
• Artikelnr.: 54590989

Autorenporträt

Kathleen Riley is a former British Academy Postdoctoral Fellow in Classics at Corpus Christi College, Oxford and now a freelance writer, theatre historian, and critic. She is the author of Nigel Hawthorne on Stage (University of Hertfordshire Press, 2004), The Reception and Performance of Euripides' Herakles: Reasoning Madness (OUP, 2008), and The Astaires: Fred & Adele (OUP USA, 2012), which has been optioned for a British feature film. She reviews plays and books on dance for the Times Literary Supplement and is a contributor to the Encyclopedia of Greek Tragedy (Wiley-Blackwell, 2013). Her current projects include a monograph exploring the ancient Greek concept of Nostos (homecoming) and its manifestations in literature and drama over the last hundred years. Alastair Blanshard is the Paul Eliadis Professor of Classics and Ancient History at the University of Queensland. He works extensively in the field of Classical Reception studies, serving as an Associate Editor for the Classical Receptions Journal and the subject-area editor for Classical Reception for the Oxford Classical Dictionary, as well as overseeing the Classics after Antiquity series for Cambridge University Press as one of its general editors. His publications include Sex: Vice and Love from Antiquity to Modernity (Wiley-Blackwell, 2010), Classics on Screen: Ancient Greece and Rome on Film (with Kim Shahabudin; Bloomsbury, 2011), and Classical World: All That Matters (Hodder and Stoughton, 2015). Iarla Manny studied Classics at Trinity College Dublin and Balliol College, Oxford. His MPhil thesis on Gerard Manley Hopkins's Hellenism and Hebraism was awarded the Gaisford Graduate Dissertation Prize by the University of Oxford's Faculty of Classics, and he is a recent recipient of the Michael Comber PhD Studentship in the Reception of the Classical World, held jointly at the Open University and St Hilda's College, Oxford. He is currently completing his doctoral thesis on Oscar Wilde and Graeco-Roman antiquity.

Inhaltsangabe

* Frontmatter
* List of Illustrations
* List of Contributors
* 0: Kathleen Riley: Introduction: Taking Parnassus to Piccadilly
* I. WILDE'S CLASSICAL EDUCATION
* 1: Alastair J. L. Blanshard: Mahaffy and Wilde: A Study in
Provocation
* 2: Gideon Nisbet: How Wilde Read John Addington Symonds's Studies of
the Greek Poets
* 3: Iain Ross: 'Very fine and Semitic': Wilde's Herodotus
* 4: Joseph Bristow: Wilde's Abstractions: Notes on Literæ Humaniores,
1876-8
* II. WILDE AS DRAMATIST
* 5: John Stokes: Beyond Sculpture: Wilde's Responses to Greek Theatre
in the 1880s
* 6: Clare L. E. Foster: Wilde and the Emergence of Literary Drama,
1880-95
* 7: Isobel Hurst: 'Tragedy in the disguise of mirth': Robert Browning,
George Eliot, and Wilde
* 8: Kostas Boyiopoulos: Death by Unrequited Eros: Salome, Hippolytus,
and Wilde's Inversion of Tragedy
* III. WILDE AS PHILOSOPHER AND CULTURAL CRITIC
* 9: Leanne Grech: Imagining Utopia: Oxford Hellenism and the Aesthetic
Alternative
* 10: Kathleen Riley: 'All the terrible beauty of a Greek tragedy':
Wilde's 'Epistola' and the Euripidean Christ
* 11: Kate Hext: Burning with a 'hard, gem-like flame': Heraclitus and
Hedonism in Wilde's Writing
* 12: Stefano Evangelista: Cosmopolitan Classicism: Wilde between
Greece and France
* IV. WILDE AS NOVELIST: THE PICTURE OF DORIAN GRAY
* 13: Marylu Hill: Wilde's New Republic: Platonic Questions in Dorian
Gray
* 14: Nikolai Endres: From Eros to Romosexuality: Love and Sex in
Dorian Gray
* 15: Iarla Manny: Oscar as (Ovid as) Orpheus: Misogyny and Pederasty
in Dorian Gray and the Metamorphoses
* V. WILDE AND ROME
* 16: Philip E. Smith II: Wilde and Roman History
* 17: Shushma Malik: The Criminal Emperors of Ancient Rome and Wilde's
'true historical sense'
* 18: Serena S. Witzke: 'I knew I had a brother!': Fraternity and
Identity in Plautus' Menaechmi and Wilde's The Importance of Being
Earnest
* Endmatter
* Bibliography
* Index