New Histories of Art in the Global Postwar Era (eBook, ePUB)
Multiple Modernisms
Redaktion: Frigeri, Flavia; Handberg, Kristian
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New Histories of Art in the Global Postwar Era (eBook, ePUB)
Multiple Modernisms
Redaktion: Frigeri, Flavia; Handberg, Kristian
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This book maps key moments in the history of post-war art from a global perspective.
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This book maps key moments in the history of post-war art from a global perspective.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 268
- Erscheinungstermin: 24. März 2021
- Englisch
- ISBN-13: 9780429640582
- Artikelnr.: 61156697
- Verlag: Taylor & Francis
- Seitenzahl: 268
- Erscheinungstermin: 24. März 2021
- Englisch
- ISBN-13: 9780429640582
- Artikelnr.: 61156697
Flavia Frigeri is an Art Historian and Curator. She is currently Curator for Missing Narratives on Women at the National Portrait Gallery in London. Kristian Handberg is an Art Historian. He is currently Assistant Professor in the Department of Arts and Cultural Studies at the University of Copenhagen.
Introduction. Towards a New Understanding of Globalism in Postwar Art
Flavia Frigeri and Kristian Handberg
1. Prologue: Art History's Work-in Pro(re)gress: Reflections on the
Multiple Modernities Project
Terry Smith
PART 1 Crossings and Encounters: Retracing Artists' Itineraries
2. Expression for All: Ferlov, Mancoba, Tajiri and the Art of Cobra
Karen Kurczynski
3. Origins and Brinks: Multiple Modernisms in Postwar London
Giulia Smith
4. Multiple Resistances to the Concept of Modernism: The Emergence of
Artistic-Poetic Networks between Eastern Europe and Latin America in the
late 1960s and 1970s.
Katarzyna Cytlak
5. Urban Folklore: Marta Minujín's Postwar Assemblage and the Modern City
Elize Mazadiego
6. Yayoi Kusama as a Migrant Artist: An Artistic Trajectory as a Model for
the Understanding of Postwar Art
Marie Laurberg
7. The Overworked Ground: Franz Erhard Walther in New York
Stephanie Straine
PART 2 Against the Norm: Decentering and Resisting the Canon
8. Blinded by Mao: The Challenge of Seeing Modernism in Art of the People's
Republic
Karen Stock
9. "Iranian Modernism" and the Idea of Indigenous Art: Translations,
Adoptions and (mis)interpretations
Combiz Moussavi-Aghdam
10. Camouflaged Dissent - A Plastic Umbrella and Transparent Balloons:
"Happenings" in South Korea, 1967-1968
Sooran Choi
11. A Postcard from Addis: Ethiopian Modernism(s) in the World
Kate Cowcher
12. The Cultural Politics of Négritude and the Debates around the Brazilian
Participation in the First World Festival of Negro Arts (Dakar, 1966)
Sabrina Moura
13. An Index of Modernity: Feminist Furniture by Teresa Burga and Beatriz
González
Sofia Gotti
PART 3 Collecting Modernisms - Exhibiting Modernisms
14. Traveler's Tales: Alfred Barr, the Soviet Union and International
Modernism in the Postwar Period
Masha Chlenova
15. Displaying Whose Modernity? The Bardis and the Museum of Modern Art of
São Paulo
Camila Maroja
16. Cosmonaut Paintings as Contemporary Art: The Soviet Union at the Venice
Biennale, 1956-1968
Kristian Handberg
17. All that Jazz: Rome's Galleria Nazionale d'Arte Moderna and the Rise of
Abstraction in Postwar Italy
Flavia Frigeri
Flavia Frigeri and Kristian Handberg
1. Prologue: Art History's Work-in Pro(re)gress: Reflections on the
Multiple Modernities Project
Terry Smith
PART 1 Crossings and Encounters: Retracing Artists' Itineraries
2. Expression for All: Ferlov, Mancoba, Tajiri and the Art of Cobra
Karen Kurczynski
3. Origins and Brinks: Multiple Modernisms in Postwar London
Giulia Smith
4. Multiple Resistances to the Concept of Modernism: The Emergence of
Artistic-Poetic Networks between Eastern Europe and Latin America in the
late 1960s and 1970s.
Katarzyna Cytlak
5. Urban Folklore: Marta Minujín's Postwar Assemblage and the Modern City
Elize Mazadiego
6. Yayoi Kusama as a Migrant Artist: An Artistic Trajectory as a Model for
the Understanding of Postwar Art
Marie Laurberg
7. The Overworked Ground: Franz Erhard Walther in New York
Stephanie Straine
PART 2 Against the Norm: Decentering and Resisting the Canon
8. Blinded by Mao: The Challenge of Seeing Modernism in Art of the People's
Republic
Karen Stock
9. "Iranian Modernism" and the Idea of Indigenous Art: Translations,
Adoptions and (mis)interpretations
Combiz Moussavi-Aghdam
10. Camouflaged Dissent - A Plastic Umbrella and Transparent Balloons:
"Happenings" in South Korea, 1967-1968
Sooran Choi
11. A Postcard from Addis: Ethiopian Modernism(s) in the World
Kate Cowcher
12. The Cultural Politics of Négritude and the Debates around the Brazilian
Participation in the First World Festival of Negro Arts (Dakar, 1966)
Sabrina Moura
13. An Index of Modernity: Feminist Furniture by Teresa Burga and Beatriz
González
Sofia Gotti
PART 3 Collecting Modernisms - Exhibiting Modernisms
14. Traveler's Tales: Alfred Barr, the Soviet Union and International
Modernism in the Postwar Period
Masha Chlenova
15. Displaying Whose Modernity? The Bardis and the Museum of Modern Art of
São Paulo
Camila Maroja
16. Cosmonaut Paintings as Contemporary Art: The Soviet Union at the Venice
Biennale, 1956-1968
Kristian Handberg
17. All that Jazz: Rome's Galleria Nazionale d'Arte Moderna and the Rise of
Abstraction in Postwar Italy
Flavia Frigeri
Introduction. Towards a New Understanding of Globalism in Postwar Art
Flavia Frigeri and Kristian Handberg
1. Prologue: Art History's Work-in Pro(re)gress: Reflections on the
Multiple Modernities Project
Terry Smith
PART 1 Crossings and Encounters: Retracing Artists' Itineraries
2. Expression for All: Ferlov, Mancoba, Tajiri and the Art of Cobra
Karen Kurczynski
3. Origins and Brinks: Multiple Modernisms in Postwar London
Giulia Smith
4. Multiple Resistances to the Concept of Modernism: The Emergence of
Artistic-Poetic Networks between Eastern Europe and Latin America in the
late 1960s and 1970s.
Katarzyna Cytlak
5. Urban Folklore: Marta Minujín's Postwar Assemblage and the Modern City
Elize Mazadiego
6. Yayoi Kusama as a Migrant Artist: An Artistic Trajectory as a Model for
the Understanding of Postwar Art
Marie Laurberg
7. The Overworked Ground: Franz Erhard Walther in New York
Stephanie Straine
PART 2 Against the Norm: Decentering and Resisting the Canon
8. Blinded by Mao: The Challenge of Seeing Modernism in Art of the People's
Republic
Karen Stock
9. "Iranian Modernism" and the Idea of Indigenous Art: Translations,
Adoptions and (mis)interpretations
Combiz Moussavi-Aghdam
10. Camouflaged Dissent - A Plastic Umbrella and Transparent Balloons:
"Happenings" in South Korea, 1967-1968
Sooran Choi
11. A Postcard from Addis: Ethiopian Modernism(s) in the World
Kate Cowcher
12. The Cultural Politics of Négritude and the Debates around the Brazilian
Participation in the First World Festival of Negro Arts (Dakar, 1966)
Sabrina Moura
13. An Index of Modernity: Feminist Furniture by Teresa Burga and Beatriz
González
Sofia Gotti
PART 3 Collecting Modernisms - Exhibiting Modernisms
14. Traveler's Tales: Alfred Barr, the Soviet Union and International
Modernism in the Postwar Period
Masha Chlenova
15. Displaying Whose Modernity? The Bardis and the Museum of Modern Art of
São Paulo
Camila Maroja
16. Cosmonaut Paintings as Contemporary Art: The Soviet Union at the Venice
Biennale, 1956-1968
Kristian Handberg
17. All that Jazz: Rome's Galleria Nazionale d'Arte Moderna and the Rise of
Abstraction in Postwar Italy
Flavia Frigeri
Flavia Frigeri and Kristian Handberg
1. Prologue: Art History's Work-in Pro(re)gress: Reflections on the
Multiple Modernities Project
Terry Smith
PART 1 Crossings and Encounters: Retracing Artists' Itineraries
2. Expression for All: Ferlov, Mancoba, Tajiri and the Art of Cobra
Karen Kurczynski
3. Origins and Brinks: Multiple Modernisms in Postwar London
Giulia Smith
4. Multiple Resistances to the Concept of Modernism: The Emergence of
Artistic-Poetic Networks between Eastern Europe and Latin America in the
late 1960s and 1970s.
Katarzyna Cytlak
5. Urban Folklore: Marta Minujín's Postwar Assemblage and the Modern City
Elize Mazadiego
6. Yayoi Kusama as a Migrant Artist: An Artistic Trajectory as a Model for
the Understanding of Postwar Art
Marie Laurberg
7. The Overworked Ground: Franz Erhard Walther in New York
Stephanie Straine
PART 2 Against the Norm: Decentering and Resisting the Canon
8. Blinded by Mao: The Challenge of Seeing Modernism in Art of the People's
Republic
Karen Stock
9. "Iranian Modernism" and the Idea of Indigenous Art: Translations,
Adoptions and (mis)interpretations
Combiz Moussavi-Aghdam
10. Camouflaged Dissent - A Plastic Umbrella and Transparent Balloons:
"Happenings" in South Korea, 1967-1968
Sooran Choi
11. A Postcard from Addis: Ethiopian Modernism(s) in the World
Kate Cowcher
12. The Cultural Politics of Négritude and the Debates around the Brazilian
Participation in the First World Festival of Negro Arts (Dakar, 1966)
Sabrina Moura
13. An Index of Modernity: Feminist Furniture by Teresa Burga and Beatriz
González
Sofia Gotti
PART 3 Collecting Modernisms - Exhibiting Modernisms
14. Traveler's Tales: Alfred Barr, the Soviet Union and International
Modernism in the Postwar Period
Masha Chlenova
15. Displaying Whose Modernity? The Bardis and the Museum of Modern Art of
São Paulo
Camila Maroja
16. Cosmonaut Paintings as Contemporary Art: The Soviet Union at the Venice
Biennale, 1956-1968
Kristian Handberg
17. All that Jazz: Rome's Galleria Nazionale d'Arte Moderna and the Rise of
Abstraction in Postwar Italy
Flavia Frigeri