Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
In this book, Palfy contends that music has the potential to engage us in social processes and that those processes can be experienced as a social interaction with a musical agent.
In this book, Palfy contends that music has the potential to engage us in social processes and that those processes can be experienced as a social interaction with a musical agent.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Cora S. Palfy is assistant professor of Music, Elon University, USA
Inhaltsangabe
1. Introduction 2. Agency in Music, Agency in Mind 3. Social Affordances and Agency 4. Virtual Agency in the Social Mind 5. The Effect of Repeated Listening on Narrative and Agency 6. Social Cues through Rhythm and Meter in Johannes Brahms's Sieben Fantasien Op. 116, No. 7: Capriccio 7. Range and Climax Expectations in Journey's "Don't Stop Believin'" 8. Cadential Expectations and Expressive Agency in Lin-Manuel Miranda's "How Far I'll Go" (Moana) 9. Formal Cues and Expectations in Cécile Chaminade's Piano Sonata, Op. 21, I 10. Agency's Place and Practice Appendix A: Expectations, Rhythm, and Meter Appendix B: Expectations for Range and Climax within Rock Music Appendix C: Harmonic Syntax and Expectations Appendix D: Formal Structure and Listener Expectation
1. Introduction 2. Agency in Music, Agency in Mind 3. Social Affordances and Agency 4. Virtual Agency in the Social Mind 5. The Effect of Repeated Listening on Narrative and Agency 6. Social Cues through Rhythm and Meter in Johannes Brahms's Sieben Fantasien Op. 116, No. 7: Capriccio 7. Range and Climax Expectations in Journey's "Don't Stop Believin'" 8. Cadential Expectations and Expressive Agency in Lin-Manuel Miranda's "How Far I'll Go" (Moana) 9. Formal Cues and Expectations in Cécile Chaminade's Piano Sonata, Op. 21, I 10. Agency's Place and Practice Appendix A: Expectations, Rhythm, and Meter Appendix B: Expectations for Range and Climax within Rock Music Appendix C: Harmonic Syntax and Expectations Appendix D: Formal Structure and Listener Expectation
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
