The first comprehensive study of music and queer identities in late-nineteenth and early-twentieth century English literature.
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Dr Fraser Riddell is Assistant Professor in Literary Medical Humanities at Durham University. Recent publications include articles in Victorian Literature and Culture and the Journal of Victorian Culture, as well as a chapter in the Oxford Handbook of Decadence. He previously taught at Trinity College, Oxford and the University of St Andrews.
Inhaltsangabe
Introduction 1. Music, emotion and the homosexual subject 2. Flesh: Music, masochism, queerness 3. Voice: Disembodiment and desire 4. Touch: Transmission, contact, connection 5. Time: Backwards listening Coda.
