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This is the first book in English about an Asian composer who writes primarily for traditional instruments. Following a thematic approach, Killick draws on 25 years of personal acquaintance and study with Hwang Byungki, as well as experience in playing his music, to analyse the works and celebrate the career of this influential Korean composer, performer, and scholar. Using Hwang Byungki as a focal point, this book also explores how new music for traditional instruments can provide a means of negotiating between a local identity and the modern world order.

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Produktbeschreibung
This is the first book in English about an Asian composer who writes primarily for traditional instruments. Following a thematic approach, Killick draws on 25 years of personal acquaintance and study with Hwang Byungki, as well as experience in playing his music, to analyse the works and celebrate the career of this influential Korean composer, performer, and scholar. Using Hwang Byungki as a focal point, this book also explores how new music for traditional instruments can provide a means of negotiating between a local identity and the modern world order.

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Autorenporträt
Andrew Killick is Senior Lecturer in ethnomusicology at the University of Sheffield, past co-editor of the journal Ethnomusicology Forum, and associate editor and substantial contributor to the East Asia volume of the Garland Encyclopedia of World Music. His writings on Korean music have appeared in such journals as Ethnomusicology, Asian Music, and Korean Studies, and he also wrote the notes to Hwang Byungki's most recent CD at the composer's request.