Christopher Carter Sanderson
Gorilla Theater (eBook, ePUB)
A Practical Guide to Performing the New Outdoor Theater Anytime, Anywhere
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Christopher Carter Sanderson
Gorilla Theater (eBook, ePUB)
A Practical Guide to Performing the New Outdoor Theater Anytime, Anywhere
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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 208
- Erscheinungstermin: 8. Oktober 2013
- Englisch
- ISBN-13: 9781135870737
- Artikelnr.: 39705032
- Verlag: Taylor & Francis
- Seitenzahl: 208
- Erscheinungstermin: 8. Oktober 2013
- Englisch
- ISBN-13: 9781135870737
- Artikelnr.: 39705032
Christopher Carter Sanderson is founding director of Gorilla Rep. He has taught drama at Princeton and Yale. He lives in New Haven, CT.
CONTENTS Acknowledgements Foreword by Martin Denton Introduction About
Gorilla Repertory Theatre Company, Inc. Gorilla Rep Manifesto 1. Concept
and Location Inspiration Read Plays, Shakespeare First List Plays Tour
Sites List Sites with Pros and Cons 2. Scouting Organizations That Can Help
Rights of Free Speech and Assembly Working Conditions for the Actors and
Personnel Mapping the Site 3. Establishing Corporate Culture Observations
Responding to Conflicts Running Effective Meetings 4. Casting Ideas and
Ideals Respect for Actors and Demands of the Form Enthusiasm for the Form
Character Basics and Physical Motion Working in Further Detail Techniques
and Scheduling Callback Practices and Forms 5. Rehearsal Techniques
Introduction: Use What You Know How Do You See? Respect for the Audience
Respect for the Text The Character Meeting: Establishing Individual
Communication Scheduling Rehearsal The Three-Phase Technique:
Improvisation, Work-Through, and Staging Run-Throughs Adapting Indoor
Techniques to Outdoor Uses A Note 6. The Paratheatric Rehearsal Technique
Brief Description Early Experiments Scouting and Booking Logistics Schedule
Blazing and Establishing Safe Practices Improvisation Suggestions for Day
One and Day Two The Bonfire: Metaphor and Practice Night Exercises The
Paratheatric Run Examples of Staging Brought Back Integrating Paratheatric
Discoveries Variations and How to Invent New Paratheatric Rehearsal
Procedures 7. On-site Directing and Operational Practices Practicing
Non-Confrontational Conflict Resolution Cut Procedure The Role of the
Director in Performance 8. Organizational Approaches Mission Statement and
Incorporation Working With Volunteers Publicity: Homemade and Professional
Sponsorship Permits, Contracts, and Letters of Agreement Interns Working
with Designers Working with an Assistant Handling Crews Trucks and Trucking
Notes for the Producer 9. Documentation Practices Documentarian Photo
Strategies Video Strategies Archiving: Print, Video, and Mailing Lists 10.
Design Issues and Aesthetic Practice Lighting Props Sets Stage Fighting 11.
Indoor Environmental or Action Theatre Design Issues Audience Changes and
Pressures Examples 12. Moving a Show Feel of the Show Moving A Midsummer
Night's Dream: Get Puck! and Other Stories 13. Notes and Observations
Dialogue with Criticism Relationship to Academia Sibling Institutions
Spirituality
Gorilla Repertory Theatre Company, Inc. Gorilla Rep Manifesto 1. Concept
and Location Inspiration Read Plays, Shakespeare First List Plays Tour
Sites List Sites with Pros and Cons 2. Scouting Organizations That Can Help
Rights of Free Speech and Assembly Working Conditions for the Actors and
Personnel Mapping the Site 3. Establishing Corporate Culture Observations
Responding to Conflicts Running Effective Meetings 4. Casting Ideas and
Ideals Respect for Actors and Demands of the Form Enthusiasm for the Form
Character Basics and Physical Motion Working in Further Detail Techniques
and Scheduling Callback Practices and Forms 5. Rehearsal Techniques
Introduction: Use What You Know How Do You See? Respect for the Audience
Respect for the Text The Character Meeting: Establishing Individual
Communication Scheduling Rehearsal The Three-Phase Technique:
Improvisation, Work-Through, and Staging Run-Throughs Adapting Indoor
Techniques to Outdoor Uses A Note 6. The Paratheatric Rehearsal Technique
Brief Description Early Experiments Scouting and Booking Logistics Schedule
Blazing and Establishing Safe Practices Improvisation Suggestions for Day
One and Day Two The Bonfire: Metaphor and Practice Night Exercises The
Paratheatric Run Examples of Staging Brought Back Integrating Paratheatric
Discoveries Variations and How to Invent New Paratheatric Rehearsal
Procedures 7. On-site Directing and Operational Practices Practicing
Non-Confrontational Conflict Resolution Cut Procedure The Role of the
Director in Performance 8. Organizational Approaches Mission Statement and
Incorporation Working With Volunteers Publicity: Homemade and Professional
Sponsorship Permits, Contracts, and Letters of Agreement Interns Working
with Designers Working with an Assistant Handling Crews Trucks and Trucking
Notes for the Producer 9. Documentation Practices Documentarian Photo
Strategies Video Strategies Archiving: Print, Video, and Mailing Lists 10.
Design Issues and Aesthetic Practice Lighting Props Sets Stage Fighting 11.
Indoor Environmental or Action Theatre Design Issues Audience Changes and
Pressures Examples 12. Moving a Show Feel of the Show Moving A Midsummer
Night's Dream: Get Puck! and Other Stories 13. Notes and Observations
Dialogue with Criticism Relationship to Academia Sibling Institutions
Spirituality
CONTENTS Acknowledgements Foreword by Martin Denton Introduction About
Gorilla Repertory Theatre Company, Inc. Gorilla Rep Manifesto 1. Concept
and Location Inspiration Read Plays, Shakespeare First List Plays Tour
Sites List Sites with Pros and Cons 2. Scouting Organizations That Can Help
Rights of Free Speech and Assembly Working Conditions for the Actors and
Personnel Mapping the Site 3. Establishing Corporate Culture Observations
Responding to Conflicts Running Effective Meetings 4. Casting Ideas and
Ideals Respect for Actors and Demands of the Form Enthusiasm for the Form
Character Basics and Physical Motion Working in Further Detail Techniques
and Scheduling Callback Practices and Forms 5. Rehearsal Techniques
Introduction: Use What You Know How Do You See? Respect for the Audience
Respect for the Text The Character Meeting: Establishing Individual
Communication Scheduling Rehearsal The Three-Phase Technique:
Improvisation, Work-Through, and Staging Run-Throughs Adapting Indoor
Techniques to Outdoor Uses A Note 6. The Paratheatric Rehearsal Technique
Brief Description Early Experiments Scouting and Booking Logistics Schedule
Blazing and Establishing Safe Practices Improvisation Suggestions for Day
One and Day Two The Bonfire: Metaphor and Practice Night Exercises The
Paratheatric Run Examples of Staging Brought Back Integrating Paratheatric
Discoveries Variations and How to Invent New Paratheatric Rehearsal
Procedures 7. On-site Directing and Operational Practices Practicing
Non-Confrontational Conflict Resolution Cut Procedure The Role of the
Director in Performance 8. Organizational Approaches Mission Statement and
Incorporation Working With Volunteers Publicity: Homemade and Professional
Sponsorship Permits, Contracts, and Letters of Agreement Interns Working
with Designers Working with an Assistant Handling Crews Trucks and Trucking
Notes for the Producer 9. Documentation Practices Documentarian Photo
Strategies Video Strategies Archiving: Print, Video, and Mailing Lists 10.
Design Issues and Aesthetic Practice Lighting Props Sets Stage Fighting 11.
Indoor Environmental or Action Theatre Design Issues Audience Changes and
Pressures Examples 12. Moving a Show Feel of the Show Moving A Midsummer
Night's Dream: Get Puck! and Other Stories 13. Notes and Observations
Dialogue with Criticism Relationship to Academia Sibling Institutions
Spirituality
Gorilla Repertory Theatre Company, Inc. Gorilla Rep Manifesto 1. Concept
and Location Inspiration Read Plays, Shakespeare First List Plays Tour
Sites List Sites with Pros and Cons 2. Scouting Organizations That Can Help
Rights of Free Speech and Assembly Working Conditions for the Actors and
Personnel Mapping the Site 3. Establishing Corporate Culture Observations
Responding to Conflicts Running Effective Meetings 4. Casting Ideas and
Ideals Respect for Actors and Demands of the Form Enthusiasm for the Form
Character Basics and Physical Motion Working in Further Detail Techniques
and Scheduling Callback Practices and Forms 5. Rehearsal Techniques
Introduction: Use What You Know How Do You See? Respect for the Audience
Respect for the Text The Character Meeting: Establishing Individual
Communication Scheduling Rehearsal The Three-Phase Technique:
Improvisation, Work-Through, and Staging Run-Throughs Adapting Indoor
Techniques to Outdoor Uses A Note 6. The Paratheatric Rehearsal Technique
Brief Description Early Experiments Scouting and Booking Logistics Schedule
Blazing and Establishing Safe Practices Improvisation Suggestions for Day
One and Day Two The Bonfire: Metaphor and Practice Night Exercises The
Paratheatric Run Examples of Staging Brought Back Integrating Paratheatric
Discoveries Variations and How to Invent New Paratheatric Rehearsal
Procedures 7. On-site Directing and Operational Practices Practicing
Non-Confrontational Conflict Resolution Cut Procedure The Role of the
Director in Performance 8. Organizational Approaches Mission Statement and
Incorporation Working With Volunteers Publicity: Homemade and Professional
Sponsorship Permits, Contracts, and Letters of Agreement Interns Working
with Designers Working with an Assistant Handling Crews Trucks and Trucking
Notes for the Producer 9. Documentation Practices Documentarian Photo
Strategies Video Strategies Archiving: Print, Video, and Mailing Lists 10.
Design Issues and Aesthetic Practice Lighting Props Sets Stage Fighting 11.
Indoor Environmental or Action Theatre Design Issues Audience Changes and
Pressures Examples 12. Moving a Show Feel of the Show Moving A Midsummer
Night's Dream: Get Puck! and Other Stories 13. Notes and Observations
Dialogue with Criticism Relationship to Academia Sibling Institutions
Spirituality