`It is a pleasure to read. Well-written, free of cant, impressively wide-ranging. The book is really an introduction to the avant-garde.' - John Lahr
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Chapter 1 Introduction; Chapter 2 Stanislavsky's Life in Art; Chapter 3 The School of Realism; Chapter 4 Meyerhold and the Russian Avant-garde; Chapter 5 Taïrov and the Synthetic Theatre; Chapter 6 Vakhtangov's Achievement; Chapter 7 Craig and Appia Visionaries; Chapter 8 Copeau Father of the Modern Theatre; Chapter 9 Reinhardt, Piscator and Brecht; Chapter 10 The Theatre of Ecstasy Artaud, Okhlopkov, Savary; Chapter 11 The Contribution of the Modern Dance Martha Graham and Alwin Nikolais; Chapter 12 Further Experiments Today in America; Chapter 13 Richard Foreman, Robert Wilson and the Bread and Puppet Theatre; Chapter 14 Anna Halprin and the Dancers' Workshop; Chapter 15 Grotowski and the Poor Theatre; Chapter 16 Grotowski and the Journey to the East; Chapter 17 Eugenio Barba and the Third Theatre; Chapter 18 The Mountain with Many Caves: Peter Brook, Alfred Wolfsohn and Roy Hart; Chapter 19 Towards AD 2,000;
Chapter 1 Introduction; Chapter 2 Stanislavsky's Life in Art; Chapter 3 The School of Realism; Chapter 4 Meyerhold and the Russian Avant-garde; Chapter 5 Taïrov and the Synthetic Theatre; Chapter 6 Vakhtangov's Achievement; Chapter 7 Craig and Appia Visionaries; Chapter 8 Copeau Father of the Modern Theatre; Chapter 9 Reinhardt, Piscator and Brecht; Chapter 10 The Theatre of Ecstasy Artaud, Okhlopkov, Savary; Chapter 11 The Contribution of the Modern Dance Martha Graham and Alwin Nikolais; Chapter 12 Further Experiments Today in America; Chapter 13 Richard Foreman, Robert Wilson and the Bread and Puppet Theatre; Chapter 14 Anna Halprin and the Dancers' Workshop; Chapter 15 Grotowski and the Poor Theatre; Chapter 16 Grotowski and the Journey to the East; Chapter 17 Eugenio Barba and the Third Theatre; Chapter 18 The Mountain with Many Caves: Peter Brook, Alfred Wolfsohn and Roy Hart; Chapter 19 Towards AD 2,000;
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