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Arranged over two parts, 'Figurations' and 'Translations', Essays on Theatre and Change reflects on the animal, history, doubling, translation, and the performative potential of writing itself. Each fictocritical essay weaves between voices, genres and contexts to consider what theatre might be.
Arranged over two parts, 'Figurations' and 'Translations', Essays on Theatre and Change reflects on the animal, history, doubling, translation, and the performative potential of writing itself. Each fictocritical essay weaves between voices, genres and contexts to consider what theatre might be.
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Kélina Gotman is Lecturer in Theatre and Performance Studies at King's College London, UK.
Inhaltsangabe
By Way of a Prelude: upon reading Rosi Braidotti Part 1 Figurations 1. Icarus Falling, and Rising (and Falling, and Rising again) 2. The Memory of Prehistory 3. Not Dolly! 4. Silent and Listening it Hangs over the Sea 5. Freud's Brains: Drawings from the Eel to the Id 6. Number 174517 (Gesture towards a Grammar of the Human) 7. Feindre (Feinte de Feinte Feinte) 8. The Fissure of Absence Part 2 Translations 9. Entre Chien et Loup / Between Dog and Wolf 10. Venus in Furs: Painting to Page, a Passage (on the Essay) 11. Metáphoric Thought: Stage Plays, Bacon, Beans / God is a Lobster 12. Reading Rosset: Doubles, Reals, Echoes, and Impressions - a False Ending 13. Corpus- [corpus]: hand, handiwork, Habitat, gifts, feet, footnotes, and the 'ob-scene' 14. The Residue, the Remainder: Thoughts on Language and Speech between both and and
By Way of a Prelude: upon reading Rosi Braidotti Part 1 Figurations 1. Icarus Falling, and Rising (and Falling, and Rising again) 2. The Memory of Prehistory 3. Not Dolly! 4. Silent and Listening it Hangs over the Sea 5. Freud's Brains: Drawings from the Eel to the Id 6. Number 174517 (Gesture towards a Grammar of the Human) 7. Feindre (Feinte de Feinte Feinte) 8. The Fissure of Absence Part 2 Translations 9. Entre Chien et Loup / Between Dog and Wolf 10. Venus in Furs: Painting to Page, a Passage (on the Essay) 11. Metáphoric Thought: Stage Plays, Bacon, Beans / God is a Lobster 12. Reading Rosset: Doubles, Reals, Echoes, and Impressions - a False Ending 13. Corpus- [corpus]: hand, handiwork, Habitat, gifts, feet, footnotes, and the 'ob-scene' 14. The Residue, the Remainder: Thoughts on Language and Speech between both and and
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