Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
Surveying the many interpretations of this provocative text, this guide showcases a selection of new critical essays to present those beginning a detailed study of the novel, a way through the contextual and critical material that surrounds it.
Surveying the many interpretations of this provocative text, this guide showcases a selection of new critical essays to present those beginning a detailed study of the novel, a way through the contextual and critical material that surrounds it.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Helen Stoddart is a lecturer at Keele University. She is interested in research on the circus; its history, cultural influences and implications and, most particularly, its representation in other forms such as literature and cinema.
Inhaltsangabe
Introduction. Part 1: Nights at the Circus: Text and Contexts Angela Carter: Biography and Writing. Forms of Writing. Academic Contexts. Internationalism. Recognition. Britain: 1890s, 1960s and 1980s. Literary Contexts and Beyond. Walter Benjamin and the 'Angel of History'. Michel Foucault and the Panopticon. Laura Mulvey, Women and 'to-be-looked-at-ness'. Mikhail Bakhtin: The Carnivalesque and the Grotesque. Postmodernism: Intertextuality, Bricolage, and Metafiction. Magical Realism. Masquerade and the Performative Part 2: Critical History Reviews. Gender, Feminism and the Carnivalesque. History and Politics. Postmodernism. Genre: Picaresque and Gothic Part 3: Critical Readings Metafiction, Magical Realism, and Myth. Postmodernism. Gender, Performance, and Identity. Popular Culture, Carnival and Clowns. Further Reading.
Introduction.Part 1: Nights at the Circus: Text and Contexts Angela Carter: Biography and Writing. Forms of Writing. Academic Contexts. Internationalism. Recognition. Britain: 1890s, 1960s and 1980s. Literary Contexts and Beyond. Walter Benjamin and the 'Angel of History'. Michel Foucault and the Panopticon. Laura Mulvey, Women and 'to-be-looked-at-ness'. Mikhail Bakhtin: The Carnivalesque and the Grotesque. Postmodernism: Intertextuality, Bricolage, and Metafiction. Magical Realism. Masquerade and the Performative Part 2: Critical History Reviews. Gender, Feminism and the Carnivalesque. History and Politics. Postmodernism. Genre: Picaresque and Gothic Part 3: Critical Readings Metafiction, Magical Realism, and Myth. Postmodernism. Gender, Performance, and Identity. Popular Culture, Carnival and Clowns. Further Reading.
Introduction. Part 1: Nights at the Circus: Text and Contexts Angela Carter: Biography and Writing. Forms of Writing. Academic Contexts. Internationalism. Recognition. Britain: 1890s, 1960s and 1980s. Literary Contexts and Beyond. Walter Benjamin and the 'Angel of History'. Michel Foucault and the Panopticon. Laura Mulvey, Women and 'to-be-looked-at-ness'. Mikhail Bakhtin: The Carnivalesque and the Grotesque. Postmodernism: Intertextuality, Bricolage, and Metafiction. Magical Realism. Masquerade and the Performative Part 2: Critical History Reviews. Gender, Feminism and the Carnivalesque. History and Politics. Postmodernism. Genre: Picaresque and Gothic Part 3: Critical Readings Metafiction, Magical Realism, and Myth. Postmodernism. Gender, Performance, and Identity. Popular Culture, Carnival and Clowns. Further Reading.
Introduction.Part 1: Nights at the Circus: Text and Contexts Angela Carter: Biography and Writing. Forms of Writing. Academic Contexts. Internationalism. Recognition. Britain: 1890s, 1960s and 1980s. Literary Contexts and Beyond. Walter Benjamin and the 'Angel of History'. Michel Foucault and the Panopticon. Laura Mulvey, Women and 'to-be-looked-at-ness'. Mikhail Bakhtin: The Carnivalesque and the Grotesque. Postmodernism: Intertextuality, Bricolage, and Metafiction. Magical Realism. Masquerade and the Performative Part 2: Critical History Reviews. Gender, Feminism and the Carnivalesque. History and Politics. Postmodernism. Genre: Picaresque and Gothic Part 3: Critical Readings Metafiction, Magical Realism, and Myth. Postmodernism. Gender, Performance, and Identity. Popular Culture, Carnival and Clowns. Further Reading.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309