W. B. Yeats and the Muses explores how Yeats perceived the women to and about whom he wrote some of his greatest poetry in terms akin to the Greek notion that a poet is inspired and possessed by the feminine voices of the Muses.
W. B. Yeats and the Muses explores how Yeats perceived the women to and about whom he wrote some of his greatest poetry in terms akin to the Greek notion that a poet is inspired and possessed by the feminine voices of the Muses.
Joseph M. Hassett is a graduate of Harvard Law School and holds a doctorate in Anglo-Irish Literature from University College Dublin. He has written and lectured extensively on Yeats and other Irish writers. He lives and practices law in Washington, DC. He and his wife, Carol Melton, have two children, Matthew and Meredith.
Inhaltsangabe
Introduction I: White Woman That Passion Has Worn: Olivia Shakespear II: Where the Blessed Dance: Florence Farr III: The Apple on the Bough Most Out of Reach: Maud Gonne IV: The Living Beauty: Iseult Gonne V: Out of a Medium's Mouth: George Hyde-Lees VI: In Search of the Muse: Memories of Love and Lyrics for Imaginary People VII: A Foolish, Passionate Man: Margot Ruddock and Ethel Mannin VIII: Fury: Dorothy Wellesle IX: Golden Codger and Siren: Yeats and Edith Shackleton Heald Finale Endnotes Bibliography
Introduction I: White Woman That Passion Has Worn: Olivia Shakespear II: Where the Blessed Dance: Florence Farr III: The Apple on the Bough Most Out of Reach: Maud Gonne IV: The Living Beauty: Iseult Gonne V: Out of a Medium's Mouth: George Hyde-Lees VI: In Search of the Muse: Memories of Love and Lyrics for Imaginary People VII: A Foolish, Passionate Man: Margot Ruddock and Ethel Mannin VIII: Fury: Dorothy Wellesle IX: Golden Codger and Siren: Yeats and Edith Shackleton Heald Finale Endnotes Bibliography
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